A Peppery 10" rarity full of spice

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A Peppery 10" rarity full of spice

Art Pepper 10" rarity on Discovery

Oh, how I love Art Pepper. His playing style with that touch of melancholy mixed with lyrical and technical brilliance is truly a joy to behold. I have built a little Art Pepper collection already, with wonderful gems that I enjoy a lot. The only problem with collecting original Pepper LP's is that a lot of his early work is on labels such as this, where maybe the quality of the pressings and the vinyl, or the mix itself isn't quite like, let's say a Blue Note. But I dig the sound nonetheless. I dig collecting these rare, smaller label stuff.

This album is quite nice with some very good music. The copy I've got is in good nick too, and I feel the urge to put it on right now. This is Discovery 3023, and there's also a 3019 with Pepper. These two 10" records where later put together in 12" format and became the album "Surf Ride" (MG 12089) released on Savoy. I'd of course rather have these two Discovery LP's as they are the original pressings. I don't have the other one as of yet, but I'm looking.

I'm looking at building a small 10" collection with some choice pieces. There's a lot of stuff that was originally released on 10" records, and therefore I need to collect some of those gems in the future. If the music was originally pressed on a 10" LP, then that's what I'll try to get. There are some examples, for example "Afro Cuban" by Kenny Dorham where the original tunes were released on a 10" and later, together with some other tunes, released on a 12" Blue Note. The additional tunes on the 12" doesn't quite match together with the stuff on the 10" I think, so in that case, even if the 12" is rare and appealing, I'd rather have the 10".

If you're looking for a great piece of early Art Pepper in top form, then this 10" on Discovery could be the one for you. Look it up and enjoy the smooth, cool brand of jazz that Pepper perfected in the 50's. And during that decade I think of driving a Chevy with the top rolled down, in the Californian sun, with some high, faded palm trees swaying a bit in the breeze and the world is colored a hazy, burnt yellow with turqoise spots here and there, like on some old, trashed polaroid image. The cigarette slowly burning between lazy fingers and you just feel the jazz music caressing the soul and mind.

More poetry coming up.. stay tuned.

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Gunslinger jazz, "Way out West" by Sonny Rollins

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Gunslinger jazz, "Way out West" by Sonny Rollins

Very cool cover, according to this collector.

Sonny Rollins, the reason I really got into jazz. After seeing his trio with Henry Grimes (bass) and Joe Harris (drums) playing live in 1959, at Södra Teatern in Stockholm, Sweden, on television. I have some of his work, but there's a lot left still to discover. A lot. This album is quite special. With some outstanding tunes. Some of them have that Old West touch, like the opening tunes on each side "I'm An Old Cowhand" and "Wagon Wheels". I like this trio setting. Sonny, together with Ray Brown on double bass and the brilliant Shelly Manne on drums. I dig Shelly. Great drummer. He has recorded lots of stuff that I need to look into more.

The tenor sax really thrives in this stripped down setting. In fact, the double bass and drums both get a lot of focus as well. It's just beautifully recorded. A favorite album of mine. This copy is in very nice condition. An original 1st pressing, with the 2 color back. I love the old yellow Contemporary labels with the deep grooves. I've only got a couple of LP's on the Contemporary label, but I intend to explore the label further and see what I can find.

Please enjoy the images and I'll be back soon with more nice, rare records from the collection.

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A new heavy hitter, Dizzy Reece "Star Bright" BLP 4023

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A new heavy hitter, Dizzy Reece "Star Bright" BLP 4023

One of my latest purchases...

I thought I'd throw in a new addition to the collection. Dizzy Reece is truly great. He has a blistering tone that makes you a believer straight away. He's on my top 10 list of favorite trumpeters, maybe even top 5. I have a couple of albums by him now, and I'd like to collect all his early stuff. He made some albums in the Blue Note 4000 series, and this is one of them. "Star Bright" it's called, BLP 4023. This is my kind of stuff. A fantastic hard bop album with some of the greatest players I know, namely Hank Mobley on tenor sax, Wynton Kelly on piano, Paul Chambers on double bass and the delightful Art Taylor with the sticks in his hands. I haven't decided yet which tunes are my favorites, they are all superb, but the sweet and smooth "I'll Close My Eyes" is a highlight. The original 1st pressing that I have is in very nice condition and I enjoy it very much.

Dizzy Reece was born in Jamaica but then moved to London and worked in Europe during the 50's. His Blue Note stuff I'm thinking of focusing on first before I try and get some of the other stuff, which is maybe two records. I have to check out more in-depth what's worth looking up, but I know there is at least one non-Blue Note I would like to own.

If you haven't got any Dizzy Reece albums or haven't heard a lot of his work, then check him out. He's amazing. His albums on Blue Note are highly collectible, so an original 1st pressing in nice condition will cost a bit, but believe me, it's worth every penny spent.

Have you got any Dizzy Reece albums? Do you have a favorite? Please share.

More vintage jazz collectibles coming up...

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Art Pepper's "Modern Art" on Intro ILP 606

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Art Pepper's "Modern Art" on Intro ILP 606

"Modern Art"... one of Pepper's best albums.

Art Pepper, one of my favorite jazz artists. My favorite alto sax player after Bird. Bird is of course in a class of his own to begin with. Art Pepper's style is very lyrical I think. He has a special sound and tone that I really like and he plays with a lot of feeling. He has recorded some very nice stuff. Some of his albums though, are recorded, I believe, on not that great equipment. Or maybe it is also the recording engineers fault, or maybe the inferior vinyl that some labels used for their records. I'm talking about the Intro, Jazz:West, Discovery and Tampa labels. Those recordings, those pressings seems to be of lesser quality in a lot of ways compared to, for example Blue Note, Prestige, Riverside or Contemporary.

Anyone who has the same thoughts , or different for that matter, about this topic?

Anyway, this record is very rare in any condition. My copy is nice, but the cover has some stains and is a bit worn. The tunes are good with my favorites being the ballad "Bewitched", the two alto sax/double bass pieces "Blues In" and "Blues Out" and "What Is This Thing Called Love". The musicians backing up Pepper on this are Russ Freeman on piano, Chuck Flores on drums and Ben Tucker on double bass. Russ Freeman I know very well, he's awesome, but the other two cats I haven't heard that much apart from on this record. They are very competent, and I'd like to explore their other work as well.

This is Art Pepper at his best. If you dig Art Pepper, then this LP is a must. An original is quite hard to get, but as always, I recommend trying to find one. In any condition. I have some other original Pepper LP's which I'm going to post here, and I intend to get all the nice stuff he has recorded.

I hope you enjoy the post and the images, and stay tuned for more jazz rarities.

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"Playboys" by The Chet Baker & Art Pepper Sextet PJ-1234

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"Playboys" by The Chet Baker & Art Pepper Sextet PJ-1234

"Playboys" indeed...

Two of my absolute favorite jazz artists of all time together here on this wonderful album from 1956. Chet Baker, the artist I have the most records of, but I still need to get me some of the early ones on Pacific Jazz, for example. Chet is my first love when it comes to jazz trumpet. I love his style, both the early, more cleaner, brilliant sound as well as the later, drug-hazed, false teeth sound. Art Pepper, my favorite alto saxophonist after Bird also graces this recording. He and Chet has to be on my top 5 all time jazz artists list. I'm trying to collect all the early Pepper material also, and I have some of the good stuff in my collection now, but I'm still missing a couple of albums.

This LP is fantastic, with lots of nice tunes. Favorite pick on this is, without a doubt "Minor-Yours". A superb original composition by Art Pepper. Great, swinging cool jazz that makes you wanna move around a bit. This copy I have is in very nice, clean condition. With a NM-, or thereabouts, jacket and a M- record. This is among Chet Baker's and Art Pepper's greatest work I think.

I love west coast/cool jazz and the labels of the era that released that music, such as Pacific Jazz/World Pacific Records, Jazz:West and so on. If you don't have this particular album, I suggest you look it up, and that you try and find a decent original copy. Great stuff.

More nice records coming up, stay tuned. Feel free to comment and offer your own opinion on this LP or any other post on the site, cheers!

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"Saxophone Colossus" PRLP 7079 by Sonny Rollins

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"Saxophone Colossus" PRLP 7079 by Sonny Rollins

A colossus of an album.

Here's a desert island choice for sure. A great album by a great artist who is still among us. I've never seen Sonny Rollins live, but I hope it's not too late and that he comes to Sweden one more time, or anywhere else for that matter. I love Sonny Rollins, and this album is truly great. The sweet, caribbean calypso mood that the opening tune "St. Thomas" offers make you just wanna dream yourself away to a tropical island and have a cuba libre in your hand and the bare feet in the white powder sand. Perfect listening right now when it's cold and snowing in Stockholm. Personal favorites have to be, except for "St. Thomas", the ballad "You Don't Know What Love Is" and "Moritat". Wonderful album all the way through.

The copy I have is an original 1st pressing in very nice condition, with a VG++ cover and a M- vinyl. I just realized that I've ripped off a piece of the paper back slick on the bottom left. I don't know how that happened. It was not like that when I bought it. A pretty ugly discovery, but that just shows you that even if you always try to be very careful, handling your records, something like this can happen anyway. You can always drop a needle or drop the record or rip off a piece of paper or lamination from the cover when you're putting it back in the outer sleeve or some other accident. I just have to live with it I guess. I also play my 1st pressings, of course, not just letting them sit on a shelf. So, in 10, 20, 30 years from now maybe the condition of the vinyl will have deteriorated. But on the other hand, the whole point to my collecting is not to have perfect jackets and vinyl forever, but to enjoy the music on these rarities. That's what is important.

This is a must have, of course, in any jazz collection. And if you can get your hands on an original pressing in decent condition, don't hesitate to purchase it. I have lots of Sonny Rollins LP's left to collect and enjoy. Looking forward to that.

Right now, I'm listening to a newly purchased album. I got that together with another album a few days ago. Good stuff. Will post them here eventually.

Stay tuned for more beautiful collectibles from a dark, cold and snowy Stockholm.

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John Coltrane's "Giant Steps" on Atlantic

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John Coltrane's "Giant Steps" on Atlantic

John Coltrane's masterpiece "Giant Steps" on Atlantic 1311

This is the original 1st pressing of John Coltrane's "Giant Steps" on the deep groove black labels of Atlantic 1311. Wonderful condition on both vinyl and cover, with both being M-. What can you say about this album, other than it's a masterpiece. John Coltrane's playing is nothing short of superb on this beautifully recorded album from 1960. It's his debut album for the Atlantic label and was his breakthrough album as a leader.

It's just a phenomenal example of Coltrane's brilliance on the tenor saxophone. And a brilliant example of his ability to write superb original compositions. My favorite picks are the medium tempo effort "Spiral" and the title track. Great jazz by a master of his craft. The stellar ensemble that backs him up on this are; Tommy Flanagan on piano, Wynton Kelly piano on "Naima", Paul Chambers on double bass, Art Taylor on drums, Jimmy Cobb drums on "Naima".

I have quite a lot to catch up on when it comes to Coltrane. There's a lot of albums I don't have, both early ones and the later stuff on Impulse! records. That's something I'll need to remedy sooner rather than later. I dig him a lot. So, a lot of Coltrane on the wants list for sure. I'm really looking forward to exploring his works more. Can't wait. Most jazz lovers probably have this album in their collection, but if you don't, get it posthaste.

Which Coltrane album is your favorite?

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New Feature: labels added.

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New Feature: labels added.

Ok folks, now I've added beautiful images of the labels and back cover, together with the image of the front cover, for each LP post. I hope this will satisfy every label lover out there. Enjoy!

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BLP 1575 with the elusive NY23 label

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BLP 1575 with the elusive NY23 label

"City Lights" Blue Note 1575 by Lee Morgan

Some LP's in the high-end jazz vinyl collector world are considered "the rarest of the rare". For example BLP 1568, Jackie McLean on Ad Lib, Cool Struttin' BLP 1588, Jutta Hipp w. Zoot Sims on BLP 1530, Overseas by Tommy Flanagan on PRLP 7134 and so on. But one that is often not mentioned among the really rare ones are "City Lights" by Lee Morgan on BLP 1575, with a NY23 label on one side. Yes, that's right. A NY23 label has to be present to be considered a true 1st pressing. At least according to the owner of Jazz Record Center in NYC, Fred Cohen's book, titled "Blue Note Records - a guide for identifying original pressings". In that book it also says that a copy of BLP 1577, John Coltrane's "Blue Train" should also have a one side NY23 to be a true 1st pressing. As well, the BLP 1568 should have a NY23 label on side 2.

This means that, either you follow the directions of this book, to sort out what is a 1st pressing, or you go by some other notion, that they used labels randomly at the pressing plant and that a BLP 1575 copy with both sides W63 could be a true 1st also. That they were pressed in the same run.

I tend to be conservative and take no risks, and therefore consider the versions with the NY23 to be the true 1st pressings. Either way, it's probably more difficult to find BLP 1575, BLP 1577 or BLP 1568 with a NY23 label, and therefore makes those copies rarer. And therefore more expensive. So, my copy of "City Lights" have a NY23 label on one side. It's in M-/M- condition. Absolutely beautiful in every way. Almost impossible to find this nice with a NY23 I believe. How many copies of 1575 have you seen with a NY23 label in top condition? Not many I suspect.

I truly believe that a great copy of this record or "Blue Train" with NY23 is just as rare as a 1568 with NY23. You never see a 1575 with a NY23 label in top condition. Ever. At least not me, and I always keep a look out for rare records. So that said, I'm extremely proud and happy, to be the owner of an amazing true 1st pressing of this superb album.

Lee Morgan on trumpet, together with Curtis Fuller on trombone, George Coleman on tenor and alto sax, Ray Bryant on piano, Paul Chambers (of course) on double bass and Art Taylor on the drums. This is a fine session with some nice tunes. I particulary love the ballad "You're Mine You" and Benny Golson's "Tempo de Waltz". Lee Morgan's trumpet playing is outstanding as usual. Great sounding LP. A great Morgan which should be on the shelf in every jazz lovers' home.

Stay tuned for more superb jazz rarities.

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The Magnificent Thad Jones on BLP 1527

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The Magnificent Thad Jones on BLP 1527

The Magnificent Thad Jones on Blue Note 1527

This album is very enjoyable. The cover art oozes jazz to me. Thad Jones trumpet playing is smooth and his sound is quite pleasant. I like it. The formidable Max Roach plays drums on this. He always delivers high quality drum parts, and he doesn't disappoint here. He plays somewhat laid back on the majority of tunes here though and just provides some nice selected drum work to complement the quite smooth, flowing music.

The other personnel are Billy Mitchell on tenor saxophone, Barry Harris on piano and Percy Heath on double bass. The condition of this rare original 1st pressing is superb, both cover and vinyl. Favorite pick from this will have to be the opening tune "April In Paris". It sets a mellow mood.  A pleasant album. A nice addition to any collection.

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Quiet Kenny by Kenny Dorham

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Quiet Kenny by Kenny Dorham

"Quiet Kenny" by Kenny Dorham on New Jazz 8225

Another trumpeter, another amazing gem. An original 1st pressing of course. An album which is fantastic. The music is outstanding. Favorite pick is "Alone Together", where Flanagans piano is beautiful in the background. Condition-wise it's great. And very rare. Kenny Dorham is a truly great trumpeter. He has a personal style and sound which I love. He is joined here by Tommy Flanagan on piano, Paul Chambers on double bass and Art Taylor on drums. An all star lineup for sure.

I'm pretty happy with this new site, and the option that's available to leave comments on posts for visitors, which was not available on the previous site. That's one of the reasons I changed platforms. Plus, here I can display the images better, more hi-res and the layout is simpler, with a fully responsive design which will work on all devices. Also, there's a lot of options to put up stuff, galleries, movies, sounds and so on. I hope you enjoy the site, and have a good time visiting. I will try to post more superb original 1st pressings regulary, mixed with other stuff as well. Enjoy!

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Lee Morgan's Candy BLP 1590

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Lee Morgan's Candy BLP 1590

"Candy" by Lee Morgan on Blue Note 1590.

This is one of my favorite albums of all time. By one of my absolute most beloved artists, Lee Morgan. I'm into jazz trumpeters big time. Of all the instruments in jazz, trumpet is my favorite. And Lee Morgan is a master of the trumpet. He has both the melodic, lyrical style as well as the technical brilliance. This original 1st pressing is in superb condition, with the cover VG++/NM and the vinyl M-. Wonderful session with the other cats being Sonny Clark on piano, Doug Watkins on double bass and the amazing Art Taylor on drums. I love the ballad "All The Way", where Morgan plays beautifully. If you don't have this gem, check it out. But the 1st pressing won't come cheap...

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