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New Jazz

"To My Queen" by Walt Dickerson on New Jazz NJLP 8283

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"To My Queen" by Walt Dickerson on New Jazz NJLP 8283

A true masterpiece.

This is one of the best jazz albums ever recorded. It’s so sparse and delicate with a dreamy touch. It’s forward thinking and progressive in many ways, while using templates from the past, this music explores the possibilities of creating new ways of expressing the art form with an earthly yet heavenly, tastefully calming and rooted, yet thought provoking and modern soundscape that stays with you long after the needle has left the grooves.

The album, according to the liner notes, and I quote; is about love, inspired by, and dedicated to, Mrs. Dickerson whose portrait graces the cover.

Dickerson was an amazing artist and a master of the vibraphone. He hums along when he plays, but that’s just part of the charm. He is joined by the great Andrew Hill on piano, George Tucker on double bass and Andrew Cyrille on drums.

Hill plays very lyrical on this session but his exploring and searching way of playing is not lost. George Tucker was a lovely bassist and he gets plenty of room to shine as well. Cyrille’s drumming is one of the highlights of this album and he recorded several albums with Dickerson as well as with Cecil Taylor, among plenty of others. His discography is quite extensive and I need to explore that catalogue in depth for sure.

This copy is an original mono pressing with the correct NJLP 8283 A & B on the labels and it plays amazing. The record is pressed with pure virgin vinyl and it isn’t marred with any recycled vinyl hiss. It’s extremely difficult to find this in this condition and without the later Side 1 and 2 label text. The cover is very prone to ring wear, but this copy was in the shrink and that has kept it clean as a whistle.

Been looking a long time for this title and I finally landed one of my most wanted and couldn’t be happier.

Do you have a favorite Dickerson? Please share.

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"Meet Oliver Nelson" by Oliver Nelson on New Jazz NLJP 8224

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"Meet Oliver Nelson" by Oliver Nelson on New Jazz NLJP 8224

Nelson’s debut.

Highly enjoyable jazz with a great bunch of players. This is Oliver Nelson’s debut album. I have a couple of other titles with him as a leader and both are great, as is this.

It’s blues drenched at times, melancholy at times, up-tempo and energetic at times. In other words a nice mix of different flavors.

I truly dig Nelson’s tenor. It’s smooth and has a pleasant tone. He plays really good. Love that Dorham and Taylor are on this as well, they are always great.

There’s quite a few original compositions by Nelson on this and it’s a nice taste of what was to come later. My favorite tune on this album is not a Nelson original though. It’s called “What’s New” (originally titled “I’m Free”, an instrumental from 1938), composed in 1939 by Bob Haggart, a dixieland double bassist.

This title is worth checking out if you haven’t before.

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"The Quest" by Mal Waldron with Eric Dolphy and Booker Ervin on New Jazz NJLP 8269

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"The Quest" by Mal Waldron with Eric Dolphy and Booker Ervin on New Jazz NJLP 8269

Took a while but now this beauty is on the shelf.

At long last. The quest for The Quest is finally at an end. I’ve searched for this one for a long time. It’s an extremely hard album to find as a true 1st pressing in top shape, with the Abbey ring on one side and the wide deep grooves. I can’t believe it’s on my shelf now. Got it yesterday and listened to it today. It sounded fantastic. I truly hold it in very high regard. If I had to make a list right now today of my top 5 jazz albums this would be on it, together with Basra, Far Cry etc.

The Quest is a beautiful album with so much soul, superb musicianship and outstanding compositions. Waldron wrote all the tunes which says a lot about his level as a musician. He is one of my favorite piano players, if not THE favorite. He plays with such sparse, dark delicate beauty. He was a unique player with his own voice. Love his choice of notes, always chosen with care. Always very interesting to see where he goes with his ideas. I tend to focus more on the piano when he plays. Not your regular hard bop pianist. The rest of the group is top notch, with the brilliant Dolphy on alto and clarinet, Booker Ervin on tenor, who I really have been growing very fond of through exploring his various releases for Prestige, Ron Carter who plays cello on this which I love, Joe Benjamin on double bass who I actually haven’t heard a lot from previously, and the wonderful Charlie Persip on drums who plays absolutely outstanding throughout. Been diggin’ him since I first heard BLP 1540.

Regarding favorite picks, the beautiful “Warm Canto” is the stand out tune, with it’s mellow, moody and reflective nature. It has to be one of the greatest jazz tunes ever written. I never get tired of it. It always puts me in a mellow state, which is good. Love the propulsive “Status Seeking” as well, full of energy and impressive solos. All the tunes have their very own highly enjoyable quality. It’s a very complete album with plenty there that you want to revisit and explore again. Couldn’t recommend this album more.

Stay tuned for more vintage beauties from the collection. Cheers!

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"Screamin' The Blues" by Oliver Nelson on New Jazz 8243

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"Screamin' The Blues" by Oliver Nelson on New Jazz 8243

Another New Jazz gem.

Sorry for not posting for some time. Been trying to post all the stuff I’ve posted on this site through the years on my Instagram page, so haven’t found the time to actually post some new stuff here. But I will concentrate on trying to post more regulary. Also, it’s here you’ll see the newest additions to the collection first.

Some bluesy stuff on this one by Oliver Nelson flanked by the always amazing Eric Dolphy. The other cats are a nice bunch as well, consisting of the great trumpeter Richard Williams with his fiery style, Richard Wyands on piano who I have not explored much at all, the always reliable George Duvivier on the double bass and Mr. Snap Crackle himself Roy Haynes on drums.

I have always loved the more bluesy stuff when it comes to jazz. I enjoy it when at least one tune on a jazz album has some heavier bluesy qualities. I like that mix. So this album is a great one for me, on which the blues is infused in a very appealing way on a couple of tunes in particular. Overall, for me, Dolphys’ and Williams’ contributions are clear highlights. All the tunes except for one is penned by Nelson, which is highly impressive as well.

I’ve mentioned this before; the New Jazz label is a lovely label that offers plenty of great jazz, all kinds of different styles. I highly recommend anyone who has not yet explored this label to do so, and this LP is a great way to start.

Christmas is just around the corner, looking forward to the time off with the family. We’re going to Florida and I just hope this Covid shit isn’t getting any worse. I’m a bit worried, but hoping for the best. We need the sun and warmth. Looking to maybe visiting some record shops. We’ll see. If anyone has any good suggestions on record shops with a nice used jazz selection on the gulf coast of Florida, please let me know.

I’d like to take this opportunity to wish all my readers Happy Holidays and a Happy New Year. Take care of yourselves and your families and stay safe. Cheers!

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"Hi-Fly" by Jaki Byard on New Jazz NJLP 8273

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"Hi-Fly" by Jaki Byard on New Jazz NJLP 8273

Jaki Byard is a genius.

The first notes are intriguing, not your usual hard bop piano. Then we’re off, and the piano lines are very interesting and fresh. I love the piano in jazz, and I usually appreciate some character to the instrument, like the leader on this album produces. His name is Jaki Byard and I first noticed him when I was watching videos of the Mingus concerts in Europe in ‘64 on YouTube. I immediately enjoyed his unique style. After that I looked him up, and started to explore his output a bit. I haven’t gotten very far since then, but I have already found some titles that I enjoy very much. He’s already become one of my absolute favorite piano players in jazz, just by hearing a handful of albums. Other pianists I enjoy a lot are Mal Waldron, Monk, McCoy Tyner, Bill Evans, Tommy Flanagan, Bobby Timmons etc.

A bit of Monk shines through in his playing on this record. But it’s a flavor all of his own. It’s quite unique. His compositional skills are very impressive as well, as this album contains several high quality pieces of his. Very interesting piano trio jazz. I think the format itself is wonderful. I love piano trios. The cats on this are Byard on piano, Ron Carter on double bass and Pete La Roca on drums. Superb group.

The second side begins with a very special tune. It starts quite soothing with piano candy by Byard. After a while all hell breaks loose with some propulsive drums and double bass. The piano just flies over the chaotic rhythm section and sprinkles Byard’s magic over it. Then it settles down again and we get some outstanding lyrical playing by Byard… it’s brilliant.

If, for some reason, you haven’t discovered Byard yet I would highly recommend you start exploring his work. I think “Hi-Fly” is a great introduction to his genius. Check it out.

Quite a few questions for my readers: If you’ve heard this album, what’s your take on it? Your thoughts on Jaki Byard in general? Favorite Jaki Byard album? Top 5 jazz pianists of all time? Please, write away.

At the moment I’m in the process of trying to find my next addition to the collection. I have one title for example that I have the chance to acquire, but it will take some luck and some dough. Let’s see how that pans out, fingers crossed. Stay tuned for more great, vintage pieces of vinyl coming up… cheers!

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"Out There" by Eric Dolphy on New Jazz NJLP 8252

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"Out There" by Eric Dolphy on New Jazz NJLP 8252

Dolphy always whips up a treat.

Eric Dolphy recorded some wonderful stuff on the New Jazz label. “Out There” is a superb session. It’s one of those albums that feels fresh every time you put it on the turntable. It’s a brand of jazz that I thoroughly enjoy. It’s not your average hard bop session. It’s unique, full of imagination and features some great work by all musicians involved. For me, an outstanding line-up consisting of Dolphy on alto sax, flute, Bb and bass clarinets, Ron Carter on cello, George Duvivier on double bass and Roy Haynes on drums. I love the concept of the cello in jazz, which I’ve touched on before. That together with all of the instruments that Dolphy plays, which adds so many different flavors, makes the whole thing very interesting. The way Dolphy plays is very special and it makes you want to really listen to him. It’s so full of fire, passion, lyricism, technical brilliance and you can listen to him over and over again, and it feels fresh every time. I feel he is a complete musician. With is vision and innovation, mastery of many different instruments and highly advanced compositional skills.

Like Coltrane and so many other masters one can’t help but wonder what musical paths Dolphy would have taken if he had only lived longer. Still, he left us a great treasure to enjoy and I treasure the albums I have by him very much. If you haven’t listened a lot to Dolphy I can highly recommend you start exploring his work. He is one of the main persons in jazz history for me. He had a very unique voice.

All the tunes on “Out There” are great and each brings a different flavor. It keeps you interested all the way through. My favorite tune is the beautiful “Sketch of Melba” on which Dolphy plays the flute so amazingly. The flute really lends itself well to a ballad setting. And Dolphy takes the instrument to another level.

Like for Dolphy’s previous effort “Outward Bound” the artwork is a painting by Richard "Prophet" Jennings. It really suits the music to a tee.

If you’re looking for the true 1st pressing of this title it can be a bit difficult. Many pressings, as with other New Jazz titles, don’t have the wide deep grooves and the Abbey pressing ring on one side, that signifies a true 1st pressing. A copy having these features means there’s none of the notorious New Jazz hiss. But if you do find a copy, consider yourself one of the lucky ones. My copy sounds great and the cover is nice but with, what it seems to be, a sun bleached spine. I’ll try and secure more Dolphy records, there are many great ones left to acquire.

Some questions: If you could choose only one Dolphy album that you could take with you to a desert island, which one would it be? Have you collected all the Dolphy albums you’re looking for or do you have some title/titles that still eludes you? What are your thoughts on this album and Dolphy’s music in general? Please share.

Stay tuned for more beautiful vintage jazz records… cheers guys and stay safe!

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"Far Cry" by Eric Dolphy with Booker Little on New Jazz NJLP 8270

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"Far Cry" by Eric Dolphy with Booker Little on New Jazz NJLP 8270

For me, it doesn’t get much better than this.

Continuing the Dolphy/Booker theme here with an album that I thought would take me forever to find as a true 1st pressing with the deep grooves and Abbey pressing ring on one side. The condition is like new, cover and vinyl. Absolutely amazing. To find the delicate 1st art textured cover in this condition is tough, to say the least. The LP sounds like new. Extremely happy to now own this title.

The music on this session is like you’d expect when it’s Dolphy and Booker sharing the stage, it’s wonderful and full of depth and passion. The album features one of my favorite rhythm sections, consisting of Ron Carter on double bass, Jaki Byard on piano and Roy Haynes on drums. Haynes plays the drums so tastefully, and his sound is always top notch. The snare and cymbal work is so delicate and airy. Jaki Byard is one of my favorite piano players. Him, along with Mal Waldron, Monk, Tommy Flanagan, McCoy Tyner to name but a few. Carter is a wonderful double bassist and cellist. Playing the bass here exclusively.

This is my kind of jazz for sure. There are a few wonderful titles in this kind of vein on the New Jazz label. Looking to acquire them all. Some of them are very difficult to find, like the title on display. Also, one that I really like to find is Mal Waldron’s “The Quest”. I’m keeping my eyes peeled for that one. I have Ron Carter’s “Where”, also very rare. Dolphy’s “Out There” is another one.

Favorite tune on “Far Cry” has to be “Left Alone” where Dolphy’s playing is sweet and melancholy. He sure knows how to play the flute. Another great one is “Miss Ann” where Dolphy and Booker both take superb solos. Booker’s solo on the opening track of Side 1, the Jaki Byard penned composition “Mrs. Parker of K.C. (Bird's Mother)”, is a joy to behold. And Dolphy’s unaccompanied alto solo on “Tenderly” is magical. The whole album is great, and keeps you interested all the way through. Highly recommended.

Got a question for you guys, as Christmas is coming soon: if you could choose one jazz LP from your want list/wish list, which one would you like to find under the Christmas tree this year?

Stay tuned for more vintage jazz vinyl treasures from the 50’s and 60’s… cheers and stay safe!

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Ron Carter "Where?" with Eric Dolphy & Mal Waldron on New Jazz 8265

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Ron Carter "Where?" with Eric Dolphy & Mal Waldron on New Jazz 8265

My kind of jazz.

Eric Dolphy is one of my absolute favorite musicians. I’ve started to really dive into his catalogue. This led me to this wonderful LP on the superb New Jazz label which I’ve been exploring a lot lately. Ron Carter is the leader here but it’s just as much a Dolphy record for me. It’s very interesting jazz, like it always is when Dolphy is involved, you can always be sure of that.

The other musicians are Mal Waldron, who is one of my favorite pianists, George Duvivier on bass (Carter plays both bass and cello here) and the great Charlie Persip on drums whom I dig a lot. I love that Carter plays cello on this. I appreciate this instrument which is rarely used in jazz. I have another LP on which the cello is featured prominently and that would be the Doug Watkins led album “Soulnik”, also on New Jazz. I wrote a post about that record some months ago. Also, Eric Dolphy’s “Out There” on New Jazz features Ron Carter on cello exclusively. That one is high, high on the want list.

Like I mentioned, I’m exploring the New Jazz catalogue and there are a lot of gems to be found there. A lot of albums featuring Dolphy, Waldron, Byard, Haynes, all these wonderful musicians. So I can highly recommend browsing through all those records. Jaki Byard is another cat who has fast become another one of my absolute favorite pianists in jazz. His playing is so unique, interesting and brilliant. You never quite know where he’s going to take the music. A bit like Monk in that sense. He’s on several New Jazz titles and I’ve already secured one of the best just a week ago. Looking forward to trying to find the other stuff as well. I have the Dolphy album “Outward Bound” on New Jazz which he’s on, and also a couple of Mingus albums on Impulse!. Excited to explore his output further.

This album is truly great, consisting of a type of jazz which I really enjoy. It’s not your standard hard bop date. I can highly recommend this one and I hope you’ll look it up if you haven’t already. And please let me know your thoughts on it. Maybe you have some other favorite Ron Carter albums that you can recommend?

It’s difficult to find an original 1st pressing of this title with the beautiful textured cover, the wide deep groove, the Abbey pressing die ring on one side and Van Gelder stamps. So I’m extremely happy to have found this amazing copy.

I have been quite busy in securing some new titles lately so stay tuned for those coming up. The shipping dilemma during the pandemic I discussed previously has worked out great so far. I’ve been using FedEx, UPS and other express options and all the records have arrived fast and safe. I’ve stayed away from USPS.

Stay safe guys, enjoy the summer and your collections. Have a cold one and just enjoy some jazz. Cheers!

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"Soulnik" by The Doug Watkins Quintet featuring Yusef Lateef on New Jazz NJLP 8238

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"Soulnik" by The Doug Watkins Quintet featuring Yusef Lateef on New Jazz NJLP 8238

A quite special album featuring some rarely used instruments.

Doug Watkins only recorded a couple of sessions as a leader. One was recorded in 1956 for the Transition label called ”Watkins at Large’” and the other one is the album I’m displaying here, recorded in 1960. It could possibly have been more, but he died young at the age of just 27 in a car accident. Despite dying so young he appeared on a lot of albums as a side man. One of my favorite jazz albums, ”Candy” by Lee Morgan, is one of them.

This album has got a really nice feel to it. It feels quite special and very cohesive. Much has to do with the kind of instruments being prominently featured on this record. Like the cello, which Watkins plays exclusively here. And the flute and oboe, played by master musician Yusef Lateef. The flute as an instrument in jazz has massively grown on me lately. Much thanks to cats like Eric Dolphy and Lateef who both excel on this instrument. I didn’t care for it particularly much before I heard what can be done on it, by the before named cats. The rarely used cello is a nice instrument in jazz as well and Doug Watkins is playing it very nice indeed. Hard to believe he only started to play it three days before the recording session, according to what I’ve read. Another cat who brings the cello to great heights in jazz is Ron Carter who plays it on Dolphy´s “Out There” (also on New Jazz) session for example. I’d say; more cello in jazz please.

Favorite tune is the 1st track on Side 2 “Andre’s Bag”, which has a superb melody that sways you along. You sink into the music and quickly realize how wonderfully different jazz can sound, with the right cats playing the right instruments. The cast of this show is Watkins on cello, Lateef on flute & oboe, Hugh Lawson on piano, Herman Wright on bass and Lex Humphries on drums. Humphries is playing it cool with such a nice, light touch and feeling on this album. A great drummer with a great sound indeed.

Yusef Lateef is a cat I really have been enjoying the last year or so. He has released some truly great stuff. I’ve been close in securing a few of his titles as a leader but it hasn’t happened yet. But I’m looking forward to acquiring a number of his albums. He has a unique sound and approach to jazz.

The New Jazz label has got a wonderful catalogue to explore. I’d urge anyone who hasn’t explored the label to do so. I’m only starting to explore it in depth, even though I have of course listened to a number of titles and own a few titles since earlier.

Some questions for my readers: Your top 5 New Jazz releases? What’s your take on the cello, flute and oboe featuring in a jazz setting?

I have a few days off from work now and I will just relax with the family and hopefully get a few listening sessions in. I’m hoping everyone is staying safe and healthy. Enjoy your collections folks. Stay tuned for more original 1st pressings from the classic era of jazz. Cheers!

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"A Long Drink Of The Blues" by Jackie McLean on New Jazz 8253

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"A Long Drink Of The Blues" by Jackie McLean on New Jazz 8253

A relaxing album. Perfect for a chilly, early autumn afternoon.

Jackie McLean is one of my favorite alto saxophonists. Haven’t heard a less than wonderful album by him, yet anyway. This album is a highly enjoyable listen. The first track starts with an argument which is pretty funny. When they finally settle down and start playing again they stroll into a smooth and relaxing piece which has a nice jammy flavor to it. Although an alto player, Jackie also plays the tenor sax on the first track which is the title tune, and it sounds pretty damn good I must say. But he excels on the alto. The tune clocks in at over 20 minutes and together with the false start and argument it makes up for the whole of Side 1. The 2nd side contains three beautiful ballads. Three ballads in a row is very unusual. It makes the heart beat slower and is very soothing. The two sides has two different line-ups and both are great. A trumpeter I haven’t listen to much is Webster Young. He plays on Side 1 and I dig his style. Always a welcome voice is Curtis Fuller on the trombone, which is an instrument I seldom hear. Looking at my records, he’s the only trombone player I can remember appearing on any of them. Do you guys fancy hearing the trombone in jazz? My personal opinion is that it is definitely a welcome sound from time to time. But for me it’s not measuring up to other horns like the trumpet or the different saxophones in terms of sound or excitement. It’s a bit muffled and static with not much dynamics. Anyway, I think this is a relaxing and pleasurable album which I’m now listening to on this lazy Sunday afternoon.

I purchased another copy of this title before this one but it turned out to be a copy with some of the dreaded New Jazz hiss, plus it did not have the wide deep grooves either. I couldn’t return it which was not good. Very frustrating. But I had the opportunity to purchase this superb copy instead so I did just that. Money wasted on the other copy but I’m just happy to have found a true 1st pressing in great condition in the end.

I would highly recommend this album, as I would with any of Jackie McLeans LP’s from this era. Would be interesting to hear what you guys think of this particular title and which McLean titles are your favorites from any label? I really need to focus on getting some more titles by him as there are so many great ones. But so many great records and artists and so little time… and not enough money to get them all in a short space of time.

Autumn is here in Stockholm. The air is chilly and the leaves has started to turn yellow and red. The time for some cozy days indoors, relaxing away from the cold, with a nice stout and jazz on vinyl has arrived. Or maybe that’s just wishful thinking… On another note I was out yesterday with a friend and went to watch some live jazz at the Glenn Miller Café here in Stockholm. Got some french Moules Frites and beer and saw the great Swedish legend Bernt Rosengren perform. A really great night. I love live jazz and I like to experience it more often. But not all artists nowadays play the stuff I like either. So you need to stay tuned on what’s good and when and where they play. That’s another question I have for you guys: do you go out and watch live jazz often, sometimes or never?

Stay tuned for more vintage jazz vinyl treasures coming up… cheers!

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"Outward Bound" by Eric Dolphy on New Jazz 8236

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"Outward Bound" by Eric Dolphy on New Jazz 8236

A favorite.

This is one of my favorite albums. It’s hard bop but with a twist. And the twist is provided by Eric Dolphy of course. His playing is one of a kind and brings a bit of spice to this otherwise quite conventional hard bop session. Dolphy’s mastery of the rarely used bass clarinet and flute are astounding and adds interesting depths and dimensions compared to many other albums in my collection. Eric Dolphy was a superb musician and composer. I have started to explore his other, freer stuff as well and it’s great. I’ve listened to his live work with Mingus on their tour of Europe in 1964 and he just blows everyone away.

This is just the first of many other albums of his that I will try and acquire. I actually bought another copy of this a while back. It was a good copy, but with a few tics. So I upgraded straight away, cause I had the opportunity, to this wonderful copy that is M- all around. I did the same with another New Jazz title as well at the same time. I will post that album next I think, stay tuned for that. So I now have duplicates of these two titles. Don’t know if I will sell the duplicates or not, we’ll see.

What I also enjoy a lot about this session is that it has Roy Haynes on drums. As a drummer myself I really appreciate his playing and the sound of his drums. He plays with a lot of finesse. His snare work is exceptional. Also a great benefit to this album is that it has Freddie Hubbard on it, who is one of the greatest trumpeters of all time and one of my personal favorites. I think the album has a nice blend of tunes. It pretty much has got all the things I’m looking for in a hard bop album. It’s hard to pick a favorite tune, they are all great and very enjoyable. But maybe the beautiful ballad “Glad To Be Unhappy” takes 1st price. The flute playing is just out of this world. For more amazingly beautiful jazz flute listen to “Sketch of Melba” from Dolphy’s “Out There” album, also on New Jazz.

I would highly recommend this album if you are unfamiliar with it. It would be interesting to hear what you guys think of this album and if you have other Dolphy favorites you would like to share?

I’ve been able to secure some nice albums of late and will post them here on the site so stay tuned for more wonderful, vintage original jazz LP’s… cheers!

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Jenkins, Jordan & Timmons on New Jazz 8232

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Jenkins, Jordan & Timmons on New Jazz 8232

A great session that will not disappoint...

Here's a very enjoyable album from 1957 with a great line-up, featuring John Jenkins on alto sax, Cliff Jordan on tenor sax, Bobby Timmons on piano, Wilbur Ware on bass and Dannie Richmond on drums. It's excellent hard bop with a nice set of tunes, composed of originals and standards. It's an album which I've been after for some time. It's quite rare and doesn't pop up that often in great shape. My copy is in very nice shape, the vinyl plays as new and the jacket is nice but has some yellowing and a large preview copy stamp on the back slick.

This is truly a great set and the tunes are all very nice. Favorite tune is probably "Soft Talk". "Tenderly" is a nice ballad with superb piano solo work from Bobby Timmons. It's a perfect album to put on for a lazy Sunday afternoon. Just sit back with a cup of coffee and relax to the wonderful music. I really dig the work of the three leaders. I've been looking at buying Jenkins effort as a leader on Blue Note 1573 for example. A great album. Cliff Jordan is a favorite and I have his superb effort "Cliff Craft" on Blue Note 1582. His tone is round and strong much like a nice cup of coffee. Bobby Timmons plays on a few of the albums I have and he is a pianist who's style I really like a lot. He just flows effortlessly through the tunes with extremely nice rhythmic lines. I would love to hear him more in a trio setting. I know he recorded several trio albums during the 60's. I have a lot to explore there. The other two cats in the rhythm section plays wonderfully as well.

All in all a great album which you should definitely seek out if you are unfamiliar with it. The deep ocean of jazz is truly amazing in the sense that there are so many great albums to explore and enjoy. It feels like it will take me a lifetime to fully explore the art of jazz and it's large treasure of artists and their music.

I have been really fortunate this year to been able to add some albums I've been wanting for a long time. I have probably bought more albums this year than any other year. And it's all top notch stuff. I have some very nice titles to post here in the coming months and I'm really looking forward to that. One title is probably in my top 10 jazz albums list of all time and it's in absolutely amazing shape. Another one is a superb album on the Riverside label. But one particular title stands out a little, as one of the most coveted of jazz collectibles out there. It's a beautiful album. It will all be revealed in the fall... stay tuned!

Have a great Sunday everyone, and please leave a comment if you want. Maybe you have some thoughts on the Jenkins, Jordan & Timmons album? Have you got a tip for me regarding your favorite Bobby Timmons trio album? Have you scored a great album lately which you would like to share? Maybe you have seen some live jazz that moved you? I love the comments and discussions you guys provide, so feel free... Cheers!

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