My third Rashied Ali title on the Survival label, which he founded in 1972. Relatively accessible stuff. You could say it’s post-bop infused avant-garde with two beautiful ballads present as well. Ali’s patented swirling drum patterns on the more up-tempo stuff is a joy to behold. His ability to fill the space with intricate rhythmic chaos while maintaining cohesion is beautiful. He seems to have a feathery touch around the drum kit but still producing intensity and power. His brush work on one of the before mentioned ballads, which is Waldron’s ”Soul Eyes”, adds so much texture and the tune is a clear highlight. The brushes are used on the other ballad as well, Coltranes ”Naima” (spelled ”Niama” here), which also is a highlight.
Ali is one of my favorite drummers, no doubt. The rest of the bunch are James Vass on alto and soprano sax and flute, Marvin Blackman on tenor and soprano sax, Charles Eubanks on piano and Benny Wilson on double bass. A great group that I have not heard before I believe. So satisfying to explore new players performing at such a high level. The notion that is becoming apparent is to dive deeper into their respective works.
If you haven’t heard this one, give it a try, even if you’re hesitant towards the avant-garde. I think you’ll find enjoyment here. Try the ballads. It’s one of my absolute favorite releases on Survival for sure.
