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Steve Lacy

”Soprano Sax” by Steve Lacy on Prestige PRLP 7125

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”Soprano Sax” by Steve Lacy on Prestige PRLP 7125

A fantastic debut.

A special album for several reasons. It’s Lacy’s first album as a leader. It’s a quartet and the soprano is the only horn. Can’t think of any other album in my collection when that’s the case. A special one for me personally as well, as it’s an album from the 50’s, and I haven’t bought one from that decade in quite a while. I used to buy 50’s jazz albums all the time, but then I got into the post-bop and avant-garde stuff and been focusing on that for several years now. I feel like focusing a bit on the 50’s and early 60’s again. And this title is a great start.

A lovely session recorded at Rudy’s in Hackensack on November 1st 1957 and released in 1958. Lacy is killing it with this material, which is quite different of course to what he would play later on. One thing that was typical with Lacy is that he always played some Monk compositions. He played with the iconic pianist for a brief period and after that the music of Monk appeared frequently on Lacy’s albums and during his live performances. On this album he chose ”Work” which is a great tune with a quirky theme. Other cuts are the standard ”Alone Together”, which is a definite highlight for me, Cole Porter’s ”Easy to Love”, the calypso ”Little Girl, Your Daddy Is Calling You”, ”Day dream” by Ellington/Strayhorn and ”Rockin’ In Rhythm” by Ellington.

Not a very common LP. Flies a bit under the radar perhaps. But you should check it out if you’re unfamiliar. Original pressings are scarce but it’s worth the search for sure.

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”Sempre Amore” Mal Wadron & Steve Lacy on Soul Note SN 1170

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”Sempre Amore” Mal Wadron & Steve Lacy on Soul Note SN 1170

Waldron and Lacy in a different mood.

Waldron and Lacy recorded several albums together and I’m trying to find their stuff whenever I can. This one on Soul Note, recorded in Milano in 1986 and released the following year, finds the pair in a duo setting giving their take on Duke Ellington and Billy Strayhorn compositions. 

Quite a different mood and style on this album compared to what I have usually experienced from the pair both individually and collectively. A tribute to what came before them. It’s lyrical, warm and passionate, and I love that. Listen to the lovely ”Prelude to a Kiss” or ”Sempre Amore” for example, and you’ll appreciate the range of these mostly angular players.

Beautiful stuff and very affordable.

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”Journey Without End” by Mal Waldron & Steve Lacy on Victor SMJX-10134

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”Journey Without End” by Mal Waldron & Steve Lacy on Victor SMJX-10134

The combination of Waldron and Lacy was brilliant.

Japan only release by Waldron and Lacy, recorded in 1971 in Paris and released in Japan on Victor. This was the first collaboration effort between these two giants of the avant-garde.

And the music is definitely avant-garde but it’s accessible, with melodic structure present and a clear sense of cohesive interplay.

Mal Waldron, who’s birthday was yesterday, is my favorite pianist. Trying to add his work to the collection whenever I can. Still have a lot of stuff left that I need. He recorded plenty so there is a large treasure to explore, but some titles are not easy to find.

Steve Lacy also recorded a lot and I need to dive deeper into his catalogue for sure.  I really enjoy his soprano mastery. A special player with a highly distinctive style. He employs an angular approach but with a lovely ability to make it accessible and beautiful. Influenced to a great degree by Monk.

Will continue to explore the work that these two players recorded together. This is a beautiful album so I’m sure I’ll find plenty to enjoy.

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"The Forest and the Zoo" by The Steve Lacy Quartet on ESP 1060

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"The Forest and the Zoo" by The Steve Lacy Quartet on ESP 1060

Free jazz live in Argentina.

Beautiful and flowing free jazz excursion from Steve Lacy. Recorded live on October 8 1966, at Instituto Di Tella, Centro de Experimentation Audio-Visual, Buenos Aires, Argentina.

The ride work of South African drummer Louis T. Moholo together with his continuous drum fills and explosive accents are so impactful. I believe he has the snare wires off, and that gives the whole thing a unique sound. The playing of both Lacy and Italian trumpeter Enrico Rava is very interesting and it’s definitely free, as they play over each other and explore their respective instruments, but it’s never abrasive or hard to listen to. The tonal quality and approach feels quite pleasant and controlled, even in the more wild parts. It tends to be focused on creating layers of moods and statements, for the most part simultaneous played, creating a rich soundscape, where you’ll discover different little intricate parts each time you listen to the tunes.

Two tunes are offered on this album, both penned by Lacy and both over 20 minutes long. For me, this is free jazz at its best. It’s live, the sound is great. Total freedom to express yourself in a quartet format, not too many instruments, but rather a refined sound, easy to distinguish both soloists ideas, even when the flurry of notes are played over each other.

The cover art painting is by Bob Thompson, an African-American figurative painter, who hung out in the New York jazz scene, forming friendships with Charlie Haden and Ornette Coleman for example.

This copy is in outstanding shape, plays NM and the cover was in the shrink. Very happy to add this one to the collection and it’s of course highly recommended.

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