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Pharoah Sanders

”Ptah, the El Daoud” by the Alice Coltrane Quintet with Pharoah Sanders and Joe Henderson on Impulse AS-9196

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”Ptah, the El Daoud” by the Alice Coltrane Quintet with Pharoah Sanders and Joe Henderson on Impulse AS-9196

A spiritual masterpiece.

Been searching high and low for this masterpiece for several years but never found the coveted 1st pressing with the single logo box and the ringwear-prone cover in good condition. The search is now officially over as I’ve found this lovely example. The cover is clean beyond belief. Never seen one in this kind of shape before.

The music is quintessential 70’s spiritual jazz in it’s very best iteration. Alice Coltrane’s third album as a leader. Recorded in the home studio in the basement of the Coltrane family home in Dix Hills, New York. We have a stellar lineup with Coltrane joined by Joe Henderson and Pharoah Sanders both on tenor and alto flute, Ron Carter on double bass and Ben Riley on drums.

All the compositions were written by Coltrane. The title track is a long one, clocking in at around 14 minutes. Love the theme with it’s marching beat and brooding melody. Henderson and Sanders play tenor on this one and they get ample space to strech out. Joe is in the left channel and Pharoah in the right. I really enjoy the contrast between these two players. Alice’s solo is a lovely one as well with her piano releasing cascading notes that are as meditative as they are creative.

The second tune is played in trio format and showcases Coltrane’s lovely approach to the piano, with the blues meeting spiritual ideas. Riley plays the brushes and Carter lays down a thick and warm bass foundation.

Then we have ”Blue Nile” which features the two wind players on alto flute and the leader on harp. It makes for a beautiful symbiosis and delivers an overarching gentleness to the music. The harp can be very soothing with it’s waves of notes flowing in a steady stream. This is probably my favorite tune on the album.

On the last tune we have the tenor saxes back. It’s an over 16 minutes display of freer ideas and moody undertones that feels rooted and organic. Love these longer pieces when you really have time to get lost in the music.

A classic filed at last.

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”Karma” by Pharoah Sanders on Impulse! AS-9181

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”Karma” by Pharoah Sanders on Impulse! AS-9181

The journey has only just begun.

I’ve been very slow to explore the work of Pharoah Sanders in depth. But as I’ve been focusing my listening and explorations into the late 60’s and beyond, Sander’s work becomes vital and is a big part of the spiritual movement, which I love. So, I have started to dive into the vast work he put out. I’ve been listening to his Impulse work first and foremost and ”Karma” is definitely a high point. It truly epitomizes spiritual jazz, with it’s chanting and meditative nature. The percussion is a big part of the sound and it really pushes the music forward. Sander’s playing is both lyrical and also has that familiar propulsive edge, which makes for a great combination, and a look into his genius. He truly was a top player. A legend.

The band consists of Sanders on tenor, Julius Watkins on french horn, James Spaulding on flute, Lonnie Liston Smith on piano, Reggie Workman, Ron Carter and Richard Davis on double bass, Fred Waits and William Hart on drums, Leon Thomas on vocal and percussion and Nathaniel Bettis on percussion. Some of them play on only one of the two tunes.

This album makes one feel hope for mankind and a fighting spirit to do what’s right.

I will continue my explorations into Sanders work. I have a handful of titles though that I really enjoy and will try and find as soon as possible.

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