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Jazzland

"Bearcat" by The Clifford Jordan Quartet on Jazzland JLP 69

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"Bearcat" by The Clifford Jordan Quartet on Jazzland JLP 69

A great session by tenorist Cliff Jordan.

Cliff Jordan was a great player. I have always loved his style. He’s actually quite high up on my list of favorite tenor players. Was he a bit underrated perhaps? Maybe. I haven’t got many records with him present and only one other on which he is the leader, so this title is a welcome addition. Aiming to try and find some more stuff and there are a couple of more titles on Jazzland for example that I should have a look at. Jazzland was a subsidiary of Riverside and there are a lot great titles released on that label. They are often quite reasonably priced as well, which is a huge plus.

On this session Jordan is joined by Cedar Walton (whose output I need to explore more for sure) on piano, Teddy Smith on double bass and J. C. Moses on drums. I really enjoy this setting, with Jordan as the only horn player.

Favorite picks on this album is the waltz ”Dear Old Chicago”, I have a weak spot for jazz waltzes it seems, and the beautiful ”Malice Towards None”.

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"In the Bag" by The Nat Adderley Sextet on Jazzland JLP 75

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"In the Bag" by The Nat Adderley Sextet on Jazzland JLP 75

Nat in New Orleans.

Great session here by Nat Adderley recorded in New Orleans which is quite unusual for a modern jazz recording. The Big Easy was of course the ancestral home of traditional jazz which makes it cool that this recording was made there. 

The personell consists of three very familiar names in modern jazz and three younger local cats from New Orleans. It’s Nat Adderley on cornet, Cannonball on alto, Nat Perrilliat on tenor, Ellis Marsalis on piano, Sam Jones on double bass and James Black on drums. Very unique group with the local talent, which makes it very interesting. The New Orleans cats hold their own for sure and I especially enjoy Perrilliat on tenor who is a wonderful player. So satisfying to discover a great but totally unknown player to me this late in my jazz explorations.

Favorite picks on this date is the moody ballad ”R.S.V.P”. Reminds me a bit of something from Johnny Coles. Lovely stuff. Also ”New Arrival”, an uptempo waltz, penned by the drummer on this date, James Black.

I dig the whole concept of this album, except maybe the recording quality, and urge anyone who haven’t heard this before to give it a shot.

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"Gettin' Together" by Paul Gonsalves on Jazzland JLP 36

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"Gettin' Together" by Paul Gonsalves on Jazzland JLP 36

Gonsalves had that classic tenor sound.

Ellington stalwart Gonsalves gets together with some great cats here to play some lovely stuff. Wynton Kelly, Nat Adderly, Sam Jones and Jimmy Cobb supports Gonsalves. Brilliant lineup. An intriguing, unsual date for an ’Ellington musician”, according to the liner notes. With the point being that no other Ellington musicians are on hand here, and no tunes associated with the Duke are played, which apparently was against the norm compared to when other Ellington sidemen led groups.

Gonsalves had a round and hearty tone which I love. It’s a quintessential tenor tone for me. On this album he plays wonderful, both the uptempo stuff and he also has a beautiful approach to playing the ballad. This is another example of a cat I haven’t explored before. I’m sure I will be checking out his other stuff as well. I’ve also acquired an Ellington title recently, on which Gonsalves is present, and I’ll be looking to explore the Duke’s catalogue more in depth. It’s a special quest for me, as my grandfather on my mothers side was a big Ellington and Armstrong fan.

Favorite picks on this album are the moody and steamy ”Yesterdays”, the beautiful ballad ”I Surrender Dear”, the bluesy 8 minute ”Low Gravy” and the last tune on Side B, which is the cooker ”Walkin’”.

Are you into Gonsalves? Cheers!

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"Long Night" by Frank Strozier on Jazzland  JLP 56

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"Long Night" by Frank Strozier on Jazzland JLP 56

Strozier was a great alto player.

Fantastic session by altoist Frank Strozier who is still with us. A cat I haven’t given much attention to before. I’m glad I stumbled upon this album which showcases what a great player and composer he was. I will definitely explore his stuff more in depth.

Never saw this title before, until a couple of weeks ago. Listened a bit on Spotify, got hooked, and jumped on the chance to acquire it. The album has two lineups, a quartet and a sextet. The sextet consists of Strozier on alto, George Coleman on tenor, Pat Patrick on baritone, Chris Anderson on piano, Bill Lee on double bass and Walter Perkins on drums. The quartet has Strozier as the only horn together with the rhythm section.

It’s a beautiful record all the way trough, starting with the bluesy and slow paced Strozier-penned ”Long Night”.  ”How Little We Know” comes next which is a medium-tempo tune with a laid back feel. Then it’s time for a waltz and it’s called ”The Need for Love” and it has that swaying feel that the groove of a waltz provides. Love it. ”The Man That Got Away” closes the A side and it is a lovely slow number with a beautiful solo by Strozier at the end.

Side B begins with the calm and soulful ”Happiness Is A Thing Called Joe” which is relaxing and peaceful. Lovely brush work by Perkins. Then we get into the part of the album which I love the most, with three lovely tunes, all penned by Strozier. ”The Crystal Ball” comes first, on which both Strozier and Patrick plays flute. The tune has a slight latin flavor and a wonderful ambiance that is quite unique. Love the incorporation of the two flutes. A favorite. Then we’re off into the smokin’ up-tempo ”Pacemaker”, which features Strozier in full flow with an impressive solo. The kick drum is very present and the double bass has a thick and full sound which makes the tune really take off. Then we have another up-tempo tune which is called ”Just Think It Over” which has a memorable theme to start with and is followed by great horn solos by all to close the album.

This title is already a firm favorite and is highly recommended.

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"Blue Jubilee" by the Joe Alexander Quintet on Jazzland JLP 23

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"Blue Jubilee" by the Joe Alexander Quintet on Jazzland JLP 23

Great bluesy under the radar stuff.

Hadn’t heard anything from Joe Alexander or John Hunt before I heard this album, from what I can remember anyway. The rhythm section is a more familiar bunch though.

This is a highly enjoyable album. Quite straight forward and bluesy. Joe Alexander plays with a round, appealing tone which is steady and grounded. John Hunt is the perfect complement to that with his fragile, searching approach on his fluegelhorn. I wanna mention Bobby Timmons as well. He plays some excellent stuff on this. A constant stream of lovely assembled notes, soul and undeniable lyricism characterizes his playing.

I love diversity when listening to jazz. To put on some bluesy hard bop, then some post bop/modal stuff, some west coast stuff, a bit of bebop and then maybe some avant-garde. That is what makes jazz so great, it’s all connected in a special and beautiful way.

Favorite pick off of this album at the moment is “Weird Beard”, a 9 minute long excursion into the fabrics of hard bop improvisation with plenty of space for the soloists to stretch out.

This is actually my first title on the Jazzland label. There are some gems to be found on this label and I will be looking for more.

Stay tuned for more vintage jazz vinyl. Have a great Thursday, cheers!

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