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Harold Land

”Damisi” by Harold Land on Mainstream MRL 367

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”Damisi” by Harold Land on Mainstream MRL 367

One of my favorites by Land.

What immediately striked me when I put this on was three things, the music is unbelievable good, this album was recorded very loud and it was recorded superbly. The sound just blasts out of the speakers and the detail and balance is off the charts. Fantastic low-end. Hadn’t heard an original Mainstream album before. Very impressive.

I’ve been enjoying some of Harold Land’s dates as a leader lately and just filed this title from 1972 and ”The Peace-Maker” from the late 60’s. Both are outstanding. This one is probably one of my favorites of the year so far.

The band consists of Land on tenor and oboe (wonderful playing and sound from Land on the oboe), Oscar Brashear on trumpet and flugelhorn, Bill Henderson on Fender Rhodes and acoustic piano, Buster Williams on Fender and double bass and Ndugu (Leon Chancler) on drums. The whole group is on point. I really dig Brashear and as a trumpet lover I need to check out his catalogue in depth. Buster Williams was a fantastic bassist and I have managed ro get some of his work into the collection. Will explore further. Ndugu’s drum work is something to behold as well. Another cat to check out.

The music touches the modal, spritual, funk and post bop. What more could you ask for? If you haven’t heard this, go explore. Highly recommended.

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”The Peace-Maker” by The Harold Land Quintet on Cadet LPS 813

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”The Peace-Maker” by The Harold Land Quintet on Cadet LPS 813

Harold Land = quality

Here’s a splendid Harold Land title on the Cadet label, which is a label I haven’t explored much. It features Land on tenor, Bobby Hutcherson on vibes, Joe Sample on piano, Buster Williams on double bass and Donald Bailey on drums. 

Fantastic songwriting by Land on this one which features the leaders original compositions except for one tune. He was a great player and every time I hear him he delivers quality. 

This is perhaps one of those titles that flies a bit under the radar. But it’s a truly lovely session that you should check out if you’re unfamiliar with it.

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"Harold in the Land of Jazz" by Harold Land on Contemporary C3550

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"Harold in the Land of Jazz" by Harold Land on Contemporary C3550

Beautifully recorded jazz from 1958.

This is a fine example of how great original Contemporary titles often sound. The sound is so pleasing with great detail and bass which you would expect when Roy DuNann is involved.

Harold Land was of course a member of the legendary Brown/Roach group. I have not explored his dates as a leader in depth but I really dig this one and The Fox. He was a great tenor player with a beautiful tone and this session showcases this fact in a great way. I will try and find The Fox as well and any other great stuff on which he is present. Very happy to have acquired this title and I’m sure it will see plenty of time on the platter. 

Trumpeter Rolf Ericson, a fellow Swede, is on this one as well which makes it extra special for me. I truly enjoy his style and I have plenty of Metronome EP’s with him. Great to hear him here with Land. I think they complement each other nicely. The other cats are Carl Perkins on piano, Leroy Vinnegar on double bass and Contemporary stalwart Frank Butler on drums.

The music, which was arranged by Elmo Hope and Land, is relaxed and cohesive and is highly enjoyable. The whole feel of the album is down to earth and deeply rooted in the jazz tradition, just like the playing of Land himself.

The cover art features Land playing in front of the Watts Towers in Los Angeles.

Favorite picks are ”Nieta” which was penned by Elmo Hope, the lovely ballad  ”Lydias Lament” penned by Land, named for his wife, and the slow paced ”Grooveyard”, a blues dripping piece penned by Carl Perkins (his last composition), who died just a few months after the recording of this album.

Highly recommended.

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