Viewing entries tagged
Eric Dolphy

"Out to Lunch" by Eric Dolphy on Blue Note BLP 4163

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"Out to Lunch" by Eric Dolphy on Blue Note BLP 4163

A true classic and a milestone in modern jazz.

Otherworldly. Plain and simple. That’s what this music is. And the sound of this original pressing is otherworldly as well. It sounds so good. Just like you would imagine a pristine old Blue Note to sound if you haven’t experienced listening to one before. This is exactly why I collect these vintage records. The experience is unbeatable.

This is for many Eric Dolphy’s Magnum opus. I agree with that. It’s so full of virtuosity from all the players, and the compositions (all Dolphy originals) are otherworldly. Now I’ve written that word three times and that’s maybe enough. But that word is perfect to describe this music. Historically this album has not come to me easily in terms of enjoying it 100%. I’ve tried it on through the years and been intrigued by both the music and the recording quality, but haven’t pulled the trigger on copies in the past. But for the last several years I’ve been leaning towards post bop and the avant-garde so this was the right time to secure it. It’s an easy listen for me now as my taste has evolved and my mind and ears have grown a lot since I first heard it. I now enjoy it to the full and I’m mesmerized by the intricate compositions and all the little details that these cats deliver.

A superb constellation of musicians grace this session, with Dolphy on alto, flute and bass clarinet, Freddie Hubbard on trumpet, Bobby Hutcherson on vibes, Richard Davis on double bass and the brilliant Tony Williams on drums. Couldn’t ask for a better group performing this music.

I guess everyone is familiar with this milestone album, but what’s your thoughts on it? Please share.

Have a great Saturday, cheers!

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"The Quest" by Mal Waldron with Eric Dolphy and Booker Ervin on New Jazz NJLP 8269

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"The Quest" by Mal Waldron with Eric Dolphy and Booker Ervin on New Jazz NJLP 8269

Took a while but now this beauty is on the shelf.

At long last. The quest for The Quest is finally at an end. I’ve searched for this one for a long time. It’s an extremely hard album to find as a true 1st pressing in top shape, with the Abbey ring on one side and the wide deep grooves. I can’t believe it’s on my shelf now. Got it yesterday and listened to it today. It sounded fantastic. I truly hold it in very high regard. If I had to make a list right now today of my top 5 jazz albums this would be on it, together with Basra, Far Cry etc.

The Quest is a beautiful album with so much soul, superb musicianship and outstanding compositions. Waldron wrote all the tunes which says a lot about his level as a musician. He is one of my favorite piano players, if not THE favorite. He plays with such sparse, dark delicate beauty. He was a unique player with his own voice. Love his choice of notes, always chosen with care. Always very interesting to see where he goes with his ideas. I tend to focus more on the piano when he plays. Not your regular hard bop pianist. The rest of the group is top notch, with the brilliant Dolphy on alto and clarinet, Booker Ervin on tenor, who I really have been growing very fond of through exploring his various releases for Prestige, Ron Carter who plays cello on this which I love, Joe Benjamin on double bass who I actually haven’t heard a lot from previously, and the wonderful Charlie Persip on drums who plays absolutely outstanding throughout. Been diggin’ him since I first heard BLP 1540.

Regarding favorite picks, the beautiful “Warm Canto” is the stand out tune, with it’s mellow, moody and reflective nature. It has to be one of the greatest jazz tunes ever written. I never get tired of it. It always puts me in a mellow state, which is good. Love the propulsive “Status Seeking” as well, full of energy and impressive solos. All the tunes have their very own highly enjoyable quality. It’s a very complete album with plenty there that you want to revisit and explore again. Couldn’t recommend this album more.

Stay tuned for more vintage beauties from the collection. Cheers!

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Charles Mingus presents Charles Mingus on Candid CJM 8005

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Charles Mingus presents Charles Mingus on Candid CJM 8005

Mingus with this small group is fantastic.

Starts with a great introduction by Mingus himself. And then we’re off. Love the “live” feeling of the sound and approach to this album. It’s very special jazz, as you’d expect from Mingus. Full of soul, fire and a dedication to preserving sounds of the past and making it sound fresh and progressive. I really enjoy this small group, consisting of Mingus on double bass, Eric Dolphy on alto sax and bass clarinet, Ted Curson on trumpet and Dannie Richmond on drums. It’s a nice change to the larger ensembles often employed by the bassist.

Highlight of the album is the tune “What Love” on which Dolphy’s bass clarinet and Mingus’ bass interacts with each other in a beautiful way.

I love Mingus and this is just another great album that I’m very happy to have in the collection. There are plenty of Mingus titles that I still miss, and of course I will try and hopefully secure some more when the opportunity arises.

Got some titles on Candid now, and I think it’s a very enjoyable label. You can find some real bargains as supposed to some of the other classic labels. Will keep my eye out for more titles.

I’m in the process of deciding on some titles that I’d like to acquire. We’ll see which ones I’ll go for. Exciting to get some new stuff into the collection for sure.

I hope you’re enjoying your collections and staying safe. Stay tuned… cheers!

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"Out There" by Eric Dolphy on New Jazz NJLP 8252

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"Out There" by Eric Dolphy on New Jazz NJLP 8252

Dolphy always whips up a treat.

Eric Dolphy recorded some wonderful stuff on the New Jazz label. “Out There” is a superb session. It’s one of those albums that feels fresh every time you put it on the turntable. It’s a brand of jazz that I thoroughly enjoy. It’s not your average hard bop session. It’s unique, full of imagination and features some great work by all musicians involved. For me, an outstanding line-up consisting of Dolphy on alto sax, flute, Bb and bass clarinets, Ron Carter on cello, George Duvivier on double bass and Roy Haynes on drums. I love the concept of the cello in jazz, which I’ve touched on before. That together with all of the instruments that Dolphy plays, which adds so many different flavors, makes the whole thing very interesting. The way Dolphy plays is very special and it makes you want to really listen to him. It’s so full of fire, passion, lyricism, technical brilliance and you can listen to him over and over again, and it feels fresh every time. I feel he is a complete musician. With is vision and innovation, mastery of many different instruments and highly advanced compositional skills.

Like Coltrane and so many other masters one can’t help but wonder what musical paths Dolphy would have taken if he had only lived longer. Still, he left us a great treasure to enjoy and I treasure the albums I have by him very much. If you haven’t listened a lot to Dolphy I can highly recommend you start exploring his work. He is one of the main persons in jazz history for me. He had a very unique voice.

All the tunes on “Out There” are great and each brings a different flavor. It keeps you interested all the way through. My favorite tune is the beautiful “Sketch of Melba” on which Dolphy plays the flute so amazingly. The flute really lends itself well to a ballad setting. And Dolphy takes the instrument to another level.

Like for Dolphy’s previous effort “Outward Bound” the artwork is a painting by Richard "Prophet" Jennings. It really suits the music to a tee.

If you’re looking for the true 1st pressing of this title it can be a bit difficult. Many pressings, as with other New Jazz titles, don’t have the wide deep grooves and the Abbey pressing ring on one side, that signifies a true 1st pressing. A copy having these features means there’s none of the notorious New Jazz hiss. But if you do find a copy, consider yourself one of the lucky ones. My copy sounds great and the cover is nice but with, what it seems to be, a sun bleached spine. I’ll try and secure more Dolphy records, there are many great ones left to acquire.

Some questions: If you could choose only one Dolphy album that you could take with you to a desert island, which one would it be? Have you collected all the Dolphy albums you’re looking for or do you have some title/titles that still eludes you? What are your thoughts on this album and Dolphy’s music in general? Please share.

Stay tuned for more beautiful vintage jazz records… cheers guys and stay safe!

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"Far Cry" by Eric Dolphy with Booker Little on New Jazz NJLP 8270

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"Far Cry" by Eric Dolphy with Booker Little on New Jazz NJLP 8270

For me, it doesn’t get much better than this.

Continuing the Dolphy/Booker theme here with an album that I thought would take me forever to find as a true 1st pressing with the deep grooves and Abbey pressing ring on one side. The condition is like new, cover and vinyl. Absolutely amazing. To find the delicate 1st art textured cover in this condition is tough, to say the least. The LP sounds like new. Extremely happy to now own this title.

The music on this session is like you’d expect when it’s Dolphy and Booker sharing the stage, it’s wonderful and full of depth and passion. The album features one of my favorite rhythm sections, consisting of Ron Carter on double bass, Jaki Byard on piano and Roy Haynes on drums. Haynes plays the drums so tastefully, and his sound is always top notch. The snare and cymbal work is so delicate and airy. Jaki Byard is one of my favorite piano players. Him, along with Mal Waldron, Monk, Tommy Flanagan, McCoy Tyner to name but a few. Carter is a wonderful double bassist and cellist. Playing the bass here exclusively.

This is my kind of jazz for sure. There are a few wonderful titles in this kind of vein on the New Jazz label. Looking to acquire them all. Some of them are very difficult to find, like the title on display. Also, one that I really like to find is Mal Waldron’s “The Quest”. I’m keeping my eyes peeled for that one. I have Ron Carter’s “Where”, also very rare. Dolphy’s “Out There” is another one.

Favorite tune on “Far Cry” has to be “Left Alone” where Dolphy’s playing is sweet and melancholy. He sure knows how to play the flute. Another great one is “Miss Ann” where Dolphy and Booker both take superb solos. Booker’s solo on the opening track of Side 1, the Jaki Byard penned composition “Mrs. Parker of K.C. (Bird's Mother)”, is a joy to behold. And Dolphy’s unaccompanied alto solo on “Tenderly” is magical. The whole album is great, and keeps you interested all the way through. Highly recommended.

Got a question for you guys, as Christmas is coming soon: if you could choose one jazz LP from your want list/wish list, which one would you like to find under the Christmas tree this year?

Stay tuned for more vintage jazz vinyl treasures from the 50’s and 60’s… cheers and stay safe!

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"Eric Dolphy at the Five Spot - Volume 2" on Prestige PRLP 7294

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"Eric Dolphy at the Five Spot - Volume 2" on Prestige PRLP 7294

It’s Dolphy and Booker. It’s live. It’s wonderful.

I’ve been on a Eric Dolphy and Booker Little high for quite a while. Both cats are way up there on the list over favorite jazz musicians of all time. They are both total masters of their respective instruments. And in Dolphy’s case there’s quite a few of them. I’ve long been a trumpet kind of guy. I am fascinated with that instrument, it’s sound and what can be created with it. Dizzy Gillespie, Fats Navarro, Clifford Brown, Lee Morgan, Freddie Hubbard, Chet Baker… they all have amazed me. And Booker Little is up there together with all of them. He had an absolutely amazing style of his own, a beautiful tone and technical brilliance. As well as a wonderful sense of lyricism. He died far too young like Dolphy, and so many other jazz greats, at the tender age of 23. His career was brief but he left us a number of great recordings to be treasured and enjoyed.

To have both Dolphy and Booker Little playing together on the same album is a great treat. And add Mal Waldron, who is one of my favorite pianists in jazz, together with Richard Davis, a wonderful bassist who’s output I will explore further, and a superb drummer in Ed Blackwell who has become a strong favorite of mine, elevating himself to stake a claim of being in my top three drummers of all time. You have here an amazing line-up that is hard to beat.

Like this album is hard to beat. It’s truly one of my favorite albums. It’s so brilliantly executed by these five amazing musicians. And it’s live, which is the most natural setting for jazz in my opinion. To have been there at the Five Spot back in the day, witnessing these tunes being played in front of you… what a dream. The LP just sounds incredible. Like new. And the recording is flawless to my mind.

The two tunes featured here is the fantastic, up-tempo whirlwind ”Aggression”, penned by Booker and the soothing, laid back “Like Someone In Love”. Both tunes feature wonderful solos throughout, but my favorite moment of the entire album is Booker’s superbly taken solo on “Like Someone In Love”.

I’ve been trying to find originals of both Dolphy and Booker albums which are musically outstanding, but equally rare, and thus very hard to find as 1st pressings in great shape. Lately I got lucky though and had the chance to acquire several of them, and this album on display is one of them. I actually found two copies in a short space of time. Both in superb shape. This one on display feels like it’s freshly picked up in an 60’s record store, except maybe for one of the labels which shows some age. Stunning condition, jacket and vinyl. Plays like new. The other copy that I purchased first is in great condition as well and sounds like new as well, but has a little warp. So I upgraded and couldn’t be happier. Never expected to find another copy so quickly and in such flawless condition. And it’s flat as a pancake.

Another album that I thought I had to wait forever on to secure as a true 1st pressing I also managed to find lately and place on my shelves. A very difficult to find album with all the 1st pressing details present. And in the condition it was in, almost impossible it seemed. I’m very happy to say the least. It’s a Dolphy album, stay tuned to find out which one it is. And another one, by Booker Little that I have been looking for also made it’s way into my collection. Actually two copies, one is coming next week hopefully. I bought one copy first and it’s a great copy, but I had the chance to upgrade almost straight away, so I couldn’t miss that opportunity. It’s also a rare album that you don’t see often. A musically very interesting and highly enjoyable album. Stay tuned for that one as well coming up.

Then there are several other albums I’ve secured which are all great. It’s been a very exciting time these past months, cause I’ve been able to acquire quite a few titles. Many more than I usually do in that time frame. I’ve been able to beef up the record budget some more to expand the collection. Cause there’s so many albums on the want list and I’d like my collection to grow a bit. Haven’t been focusing on the most expensive of Blue Notes either. Instead I’ve been buying wonderful stuff on labels such as Candid, Impulse!, Atlantic, New Jazz and Prestige. So, plenty of great albums to be posted here on the site in the coming months.

A few questions for my readers: What’s your take on this album? Top 3 live jazz albums of all time? Top 3 albums that feature Eric Dolphy? Top 3 albums that feature Booker Little? Write away guys.

From a vinyl junkie to all of you; have a great rest of the weekend and stay safe. Enjoy your collections. Maybe put a Dolphy or Booker Little album on the turntable? Cheers…

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Ron Carter "Where?" with Eric Dolphy & Mal Waldron on New Jazz 8265

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Ron Carter "Where?" with Eric Dolphy & Mal Waldron on New Jazz 8265

My kind of jazz.

Eric Dolphy is one of my absolute favorite musicians. I’ve started to really dive into his catalogue. This led me to this wonderful LP on the superb New Jazz label which I’ve been exploring a lot lately. Ron Carter is the leader here but it’s just as much a Dolphy record for me. It’s very interesting jazz, like it always is when Dolphy is involved, you can always be sure of that.

The other musicians are Mal Waldron, who is one of my favorite pianists, George Duvivier on bass (Carter plays both bass and cello here) and the great Charlie Persip on drums whom I dig a lot. I love that Carter plays cello on this. I appreciate this instrument which is rarely used in jazz. I have another LP on which the cello is featured prominently and that would be the Doug Watkins led album “Soulnik”, also on New Jazz. I wrote a post about that record some months ago. Also, Eric Dolphy’s “Out There” on New Jazz features Ron Carter on cello exclusively. That one is high, high on the want list.

Like I mentioned, I’m exploring the New Jazz catalogue and there are a lot of gems to be found there. A lot of albums featuring Dolphy, Waldron, Byard, Haynes, all these wonderful musicians. So I can highly recommend browsing through all those records. Jaki Byard is another cat who has fast become another one of my absolute favorite pianists in jazz. His playing is so unique, interesting and brilliant. You never quite know where he’s going to take the music. A bit like Monk in that sense. He’s on several New Jazz titles and I’ve already secured one of the best just a week ago. Looking forward to trying to find the other stuff as well. I have the Dolphy album “Outward Bound” on New Jazz which he’s on, and also a couple of Mingus albums on Impulse!. Excited to explore his output further.

This album is truly great, consisting of a type of jazz which I really enjoy. It’s not your standard hard bop date. I can highly recommend this one and I hope you’ll look it up if you haven’t already. And please let me know your thoughts on it. Maybe you have some other favorite Ron Carter albums that you can recommend?

It’s difficult to find an original 1st pressing of this title with the beautiful textured cover, the wide deep groove, the Abbey pressing die ring on one side and Van Gelder stamps. So I’m extremely happy to have found this amazing copy.

I have been quite busy in securing some new titles lately so stay tuned for those coming up. The shipping dilemma during the pandemic I discussed previously has worked out great so far. I’ve been using FedEx, UPS and other express options and all the records have arrived fast and safe. I’ve stayed away from USPS.

Stay safe guys, enjoy the summer and your collections. Have a cold one and just enjoy some jazz. Cheers!

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"Outward Bound" by Eric Dolphy on New Jazz 8236

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"Outward Bound" by Eric Dolphy on New Jazz 8236

A favorite.

This is one of my favorite albums. It’s hard bop but with a twist. And the twist is provided by Eric Dolphy of course. His playing is one of a kind and brings a bit of spice to this otherwise quite conventional hard bop session. Dolphy’s mastery of the rarely used bass clarinet and flute are astounding and adds interesting depths and dimensions compared to many other albums in my collection. Eric Dolphy was a superb musician and composer. I have started to explore his other, freer stuff as well and it’s great. I’ve listened to his live work with Mingus on their tour of Europe in 1964 and he just blows everyone away.

This is just the first of many other albums of his that I will try and acquire. I actually bought another copy of this a while back. It was a good copy, but with a few tics. So I upgraded straight away, cause I had the opportunity, to this wonderful copy that is M- all around. I did the same with another New Jazz title as well at the same time. I will post that album next I think, stay tuned for that. So I now have duplicates of these two titles. Don’t know if I will sell the duplicates or not, we’ll see.

What I also enjoy a lot about this session is that it has Roy Haynes on drums. As a drummer myself I really appreciate his playing and the sound of his drums. He plays with a lot of finesse. His snare work is exceptional. Also a great benefit to this album is that it has Freddie Hubbard on it, who is one of the greatest trumpeters of all time and one of my personal favorites. I think the album has a nice blend of tunes. It pretty much has got all the things I’m looking for in a hard bop album. It’s hard to pick a favorite tune, they are all great and very enjoyable. But maybe the beautiful ballad “Glad To Be Unhappy” takes 1st price. The flute playing is just out of this world. For more amazingly beautiful jazz flute listen to “Sketch of Melba” from Dolphy’s “Out There” album, also on New Jazz.

I would highly recommend this album if you are unfamiliar with it. It would be interesting to hear what you guys think of this album and if you have other Dolphy favorites you would like to share?

I’ve been able to secure some nice albums of late and will post them here on the site so stay tuned for more wonderful, vintage original jazz LP’s… cheers!

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