Viewing entries tagged
ECM

”Ah” by The Enrico Rava Quartet on ECM 1166

Comment

”Ah” by The Enrico Rava Quartet on ECM 1166

Italian fire.

Italian trumpeter Enrico Rava had some chops. Lovely player. He is present on one other album in my collection which is the Lacy on ESP. Rava really turns up the heat at different points and his powerful tone and technique is on full display. The band consists of two other Italian players, Franco D’Andrea on piano and Giovanni Tommaso on double bass, and an American drummer in Bruce Ditmas. Great band. They play some fire.

Have acquired some ECM titles the last months and there is definitely great stuff on that label. Not everything is for me, but this one is wonderful.

The cover has a silver finish which is unusual, but the music is gold.

Comment

"Ballads" by Paul Bley on ECM 1010

Comment

"Ballads" by Paul Bley on ECM 1010

Early ECM title with a Paul Bley trio.

Meditative and suggestive session featuring a piano trio led by Paul Bley, recorded in 1967 and released 1971. We also have Gary Peacock (side 1) and Mark Levinson (side 2) on double bass and Barry Altschul on drums.

The music here is sparse and for me creates an emotion or feeling that is never resolved. Instead it’s fleeting and searching, It’s music to reflect upon. All the tunes are written by Annette Peacock.

Comment

"Free at Last" by The Mal Waldron Trio on ECM 1001

2 Comments

"Free at Last" by The Mal Waldron Trio on ECM 1001

Top stuff by Mal Waldron.

This was the first ECM title to be released in 1970. It’s a beautiful session. As I’ve mentioned many times, Waldron is one of my favorite pianists. But his later work, only released on vinyl in stereo, has been off limits for me up until some weeks ago when I added a second turntable with a stereo cartridge. So now I’m on the hunt for all his lovely albums released in the 70’s and 80’s, and Free At Last is a great start.

He embarked on a journey back from a breakdown in 1963, caused by a drug overdose. He had to learn how to play again. Gradually his skills came back, but it took several years. He came back a strong player as this album is a testament to. The liner notes are written by him and he mentions that the album marks a different approach to his music. It represented his meeting with free jazz and he goes on to write that one will hear him playing rhythmically instead of soloing over chord changes. I love this approach.

This session is a great introduction to Waldrons later career and I would urge you to check it out if you haven’t already heard it. Very much recommended.

2 Comments

"Playing" by Old and New Dreams on ECM 1205

Comment

"Playing" by Old and New Dreams on ECM 1205

Old and New Dreams was a superb live act.

Here is another Old and New Dreams title on ECM. This time it’s live. Recorded in June 1980 in Austria. Fantastic performance from this outstanding group. The sound is great. Everything sounds clear, crisp, detailed and pleasant. It could just as well have been a studio recording.

What a treat it would have been to see them live back in the day. They were masters and the music reflects that. Blackwell is probably my favorite drummer. Maybe together with Tony Williams. His playing is just out of this world. And Haden is one of my favorite bassists. An amazing artist. He is up there with LaFaro for me.

The search continues for the rest of their output as well as many more great titles from the late 60’s into the 80’s. 

Comment

Old and New Dreams on ECM 1154

4 Comments

Old and New Dreams on ECM 1154

What a group of musicians!

This group was absolutely stunning. One of the best from the 70’s and 80’s. Hell, one of the best of all time perhaps. Cherry, Redman, Haden and Blackwell played together as New And Old Dreams between 1976 and 1987. They released two studio albums and two live albums on two labels, which were Black Saint and ECM. All members had previously played with Ornette and they played a mix of his stuff as well as original compositions. 

This album opens with an amazing version of Ornette’s ”Lonely Woman” which of course is also the first track on ”The Shape Of Jazz To Come”. ”Togo” by Blackwell follows, which is based on a Ghanese traditional. Superb percussive work here by Blackwell. Has a great theme as well. Cherry’s ”Guinea” is next and it opens with some lovely solo playing by Cherry. He plays so beautiful here. Very lyrical. What follows when the band comes in is bliss. Great tune. 

Second side starts off with Ornette’s ”Open or Close” and it’s fire. Haden’s double bass work here is out of this world. Classic Blackwell drumming as well which really propels everything to a different level. This is musicianship on a whole different plane. Then we get a Dewey Redman (who I need to explore a lot more) original which is called ”Orbit of La-Ba”. We have oriental vibes supreme on this which I really love. Lovely rhythms going on. Top stuff from Cherry and Redman. The last tune by Haden, which is called ”Song for the Whales”, is according to the back sleeve, ”written with respect for all spieces of whales, in the hope that they will soon be protected by international law”. Haden mimics the sound of whales here with his bow. Terrific stuff when the band comes in later in the tune as well.

Fantastic album.

4 Comments