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Black Jazz

”The Skipper” by Henry Franklin on Black Jazz BJQD/7

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”The Skipper” by Henry Franklin on Black Jazz BJQD/7

The 70’s sure was a great decade when it comes to jazz.

My second Black Jazz title after Rudolph Johnson’s brilliant ”The Second Coming”. This one from 1972 is the first led session by bassist Henry Franklin and it’s a superb effort. It combines elements of post-bop, funk/fusion and blues in a seamless way.

The band consists of Franklin on double bass/Fender bass, Bill Henderson on electric piano, Mike Carvin on drums, Oscar Brasheer on trumpet/flugelhorn, Charles Owens on tenor/soprano sax, Kenny Climax on guitar/electric tub, Fredrik Lido and Tip Jones on percussion.

Favorite picks are the speedy post-bop opener ”Outbreak” and the beautiful ballad ”Little Miss Laurie”.

I definitely need more Black Jazz titles. Such a great label, and even though they are nowhere near what they were price-wise, they still can be found at relatively reasonable prices compared to other labels.

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"The Second Coming" by Rudolph Johnson on Black Jazz BJQD/11

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"The Second Coming" by Rudolph Johnson on Black Jazz BJQD/11

A splendid album that blew me away.

The amount of superb jazz recorded in the 70’s is vast. Very late to the game on much of this stuff, but I’m on the other hand grateful to have so much still to discover. Like this beautiful recording from 1973 by tenor man Rudolph Johnson on the Black Jazz label. It’s astonishingly good. Johnson’s tone is full-bodied, round and defined. He was a high energy player, lyrical, but incorporating a healthy amount of fiery edge to his solos. He’s become an instant favorite just by listening to this session. It’s such a joy to discover this kind of cat this late into my jazz explorations. Will have a look at his other stuff.

The amazing music is post-bop with some spiritual elements and a sweet funky beat on one of the tunes. The recording is top notch. Clean, crisp and detailed with plenty of bass backbone. The bass is very nicely recorded. It’s very much present. I dig the drum sound a lot. The cymbals are crisp and bright. The kit sounds dry and pleasant. A down to earth sound with no reverb, which I enjoy. The tenor sounds organic, natural and powerful. The piano sounds great as well. Pianist Kirk Lightley’s solo on the title track is superb.

The whole album is a real treat and I couldn’t recommend it highly enough. Go listen!

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