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Andrew Hill

”Invitation” by The Andrew Hill Trio on Steeplechase SCS-1026

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”Invitation” by The Andrew Hill Trio on Steeplechase SCS-1026

Under the radar perhaps, but oh so good.

Another great Hill title on Steeplechase. In a trio format this time together with Chris White on double bass and Art Lewis on drums. Recorded in 1974. This was Hills’ first recording since 1969 after being out of the jazz media focus since his Blue Note days.

The music is brilliant and showcases Hills’ immense skills and compositional prowess. All the tunes are Hill originals except for one. This is not just a normal bop piano trio, the playing and compositions are complex and Hills’ ability to surprise and improvise in such a rich way is stunning. You never know where he’s gonna go next. One thing is for sure, it’s never dull with Hill in a trio format

This has to be another new Hill favorite now, and I’m amazed that his records on Steeplechase aren’t talked about more or displayed on social media, cause they are top notch, and for me some of his best work.

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”Divine Revelation” by the Andrew Hill Quartet on Steeplechase SCS-1044

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”Divine Revelation” by the Andrew Hill Quartet on Steeplechase SCS-1044

The Danish Steeplechase label conveys many treats. I bought several titles on this label when I first started collecting. Now I’ve rediscovered how great their catalogue is. I acquired this one, recorded in 1975, last week in a local store. Really enjoying it as I’m now listening to it for the first time.

We have Hill, who is a favorite since way back, on piano playing in a quartet format, together with Jimmy Vass on soprano, alto and flute, Chris White on double bass and Fender bass and also Leroy Williams on drums.

Vass really kills it on the soprano sax, which has become one of my favorite instruments in jazz. The two other cats are wonderful players as well. Hadn’t heard of these guys from what I can remember before this album, which seems to be a reoccurring theme for me since I started to explore 70’s and 80’s jazz. And that’s a good thing.

Favorite picks from listening to the album once is ”East 9th Street”,  the fantastic title track ”Divine Revelation”, which stretches over the entire second side and ”July 10th”, which was the recording date.

This album was love at first listen. Even after just one listen this has to be one of my favorite Hill albums. Highly recommended.

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"Point of Departure" by Andrew Hill on Blue Note BLP 4167

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"Point of Departure" by Andrew Hill on Blue Note BLP 4167

A progressive classic.

This is one of the real gems of the later Blue Note catalogue. The lineup is unreal, with Hill on the piano, Kenny Dorham on the trumpet, Eric Dolphy on the alto sax, bass clarinet and flute, Joe Henderson on the tenor sax, Richard Davis on the double bass and Tony Williams on the drums. I mean, that’s jazz royalty right there.

The album contains some progressive stuff that keeps you alert and interested all the way through. It’s avant-garde mixed with post bop to my ears. For me, very accessible though. Tony Williams is fantastic as always and pushes the music forward with superb control, finesse and energy. I never get tired of his inventive approach. Richard Davis keeps up with him and delivers some memorable double bass candy. The rest of the group plays on a very high plane as well, with Hill’s progressive and imaginative playing, Dolphy’s mastery of all the instruments he plays and the way he makes jazz so very interesting, Henderson’s beautiful but edgy tenor playing and full, rich sound, and then Dorham, who I think really holds his own in this kind of setting, despite maybe not being the most celebrated post bop/avant-garde player.

This is a wonderful and very interesting album which you should check out if you enjoy a bit more explorative jazz than hard bop for example, to mix it up a bit. And this is not free jazz, it’s controlled, but searching and full of imagination.

Some questions: Any thoughts on this album? The lineup on this, like I mentioned, is quite unreal. Do you have a favorite small group lineup from the 50’s-60’s..? Mine is probably, at this moment anyway, the cats who played together at the Five Spot with Dolphy, Booker Little, Mal Waldron, Richard Davis and Ed Blackwell. That, or the classic Coltrane quartet. Or maybe the Bill Evans trio with La Faro and Motian. You see.. it’s very, very difficult to choose. Maybe you can choose your top three?

I’m on a little pause when it comes to buying new records. I need to save up some vacation money first, and actually enjoy all the albums I have, with quite a few newcomers in the collection I haven’t listened to a lot.

Like I’ve mentioned, I’m on Instagram now (@fwrarejazzvinylcollector), where I at the moment post albums that I’ve already posted here through the years. So for new albums this is the place to look. I always post the latests albums here first.

Stay tuned for more vintage vinyl treasures coming up… cheers!

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"Black Fire" by Andrew Hill on BLP 4151

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"Black Fire" by Andrew Hill on BLP 4151

A lot of the later Blue Note material is superb, and this title is no exception.

I got myself a couple of original Andrew Hill LP’s on Blue Note. This is one of them, “Black Fire”. Great album and great line-up consisting of some of the very best of the later Blue Note roster: Andrew Hill on piano, Joe Henderson on tenor sax, Richard Davis on double bass and Roy Haynes on drums. The music is very interesting, like many other later Blue Note titles. It’s post bop, which I really love. Andrew Hill is a wonderful pianist. Has his own unique style. A very inventive and progressive player. I’ve dived into Joe Henderson’s stuff lately and he has quickly become a favorite of mine. I really need to bolster the collection with his outstanding albums as a leader on Blue Note.

I have explored the later Blue Note 4000 series for some time now. It’s a lovely part of the catalogue and many superb titles and different artists that I haven’t listened to a lot has popped up. I have found some outstanding music there which I’m very excited about. Artists like Andrew Hill, Joe Henderson, Tony Williams, Bobby Hutcherson, Grachan Moncur III, Joe Chambers, Herbie Hancock, Sam Rivers, Wayne Shorter and so on, are featured on these great Blue Notes. I’m searching for a plethora of titles from this period and the search has really just begun. I’ve been after Blue Note titles specifically lately, cause I feel there are so many great albums there, that I need to go after. So many artists that I’ve discovered and enjoy are featured very heavily in the 4000 series. They always sound great and a lot of the cover art is of course fantastic. Also, I’ve been concentrating on other labels for quite some time now and the lure of the Blue Note label just came calling I guess. So, as a result I’ve been able to add a few Blue Notes to the collection which I’m very happy about.

Back to “Black Fire”. If you haven’t listened to this album and you enjoy a bit more challenging tones and rhythms than you get from your standard hard bop stuff, then give this a try. It’s quite accessible I think. It’s one of those great titles from the later 4000 series for sure.

Some questions: I wonder what my readers think of this title? Do you have any other favorite titles that feature Andrew Hill? Let me know.

I’ll try to post a bit more often, so stay tuned for more great LP’s from the collection coming up. Stay safe everyone. Cheers!

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