”Lanquidity” by Sun Ra on Philly Jazz 666

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”Lanquidity” by Sun Ra on Philly Jazz 666

A gem from the 70’s.

I’ve listened to Sun Ra sparingly through the years and been mostly into his early work. But since exploring the 70’s a lot during the last year this title from 1978 is right up my alley. Released on the small Philadelphia based label Philly Jazz. Recorded in it’s entirety during one night.

I got a note that this was for sale, so I streamed it and listened to it intently for the last week or so, and I must say, this is a brilliant album. It has really pulled me in and I can already say, that for me, this is a definite highlight when it comes to 70’s jazz. It blends of all kinds of flavors; spiritual, avant-garde, funk, jazz fusion. It makes for a lovely concoction that warrants repeated listening.

We have a large group here with some familiar names like Eddie Gale on trumpet, Marshall Allen on alto sax, oboe and flute, John Gilmore on tenor sax, to name but a few. This group creates beautiful soundscapes, funk-driven grooves, spiritual pieces and a cohesive understanding of what the different tunes need and the execution formula is impeccable.

Sun Ra plays many different instruments on this one; Fender Rhodes, ARP, Yamaha organ, Hammond B3 organ, Moog, acoustic piano, bells and keyboard. His genius is apparent.

I’m aiming to dive deeper into Sun Ra’s catalogue and try to navigate through the plethora of releases he recorded. Who knows, someday I’ll perhaps find myself throwing an original El Saturn on the turntable.

Very much recommended.

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”Journey Without End” by Mal Waldron & Steve Lacy on Victor SMJX-10134

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”Journey Without End” by Mal Waldron & Steve Lacy on Victor SMJX-10134

The combination of Waldron and Lacy was brilliant.

Japan only release by Waldron and Lacy, recorded in 1971 in Paris and released in Japan on Victor. This was the first collaboration effort between these two giants of the avant-garde.

And the music is definitely avant-garde but it’s accessible, with melodic structure present and a clear sense of cohesive interplay.

Mal Waldron, who’s birthday was yesterday, is my favorite pianist. Trying to add his work to the collection whenever I can. Still have a lot of stuff left that I need. He recorded plenty so there is a large treasure to explore, but some titles are not easy to find.

Steve Lacy also recorded a lot and I need to dive deeper into his catalogue for sure.  I really enjoy his soprano mastery. A special player with a highly distinctive style. He employs an angular approach but with a lovely ability to make it accessible and beautiful. Influenced to a great degree by Monk.

Will continue to explore the work that these two players recorded together. This is a beautiful album so I’m sure I’ll find plenty to enjoy.

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”The Elements” by Joe Henderson on Milestone M-9053

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”The Elements” by Joe Henderson on Milestone M-9053

Fire, Air, Water & Earth…

Henderson of course recorded some great albums on Milestone and I’m trying to track them down. Got the brilliant ”Power to the People” in the spring, found Henderson in Japan last year, and now ”The Elements”, which I got in yesterday. Featuring Henderson on tenor and flutes, Alice Coltrane on piano, harp etc. We also have Michael White on violin (a personal favourite instrument in jazz), bass master Charlie Haden, Leon Chandler on drums, Kenneth Nash on percussion and wood flute, and also Baba Duru Oshun on percussion.

We are treated to four Henderson originals, named after the four elements. It’s spiritual, it’s progressive, it’s ethnic, it’s all of the things you’d want from a 70’s jazz album. Henderson is always a revelation every time you sit down and listen to him, but his performance here is quite special to say the least. Haden is one of the true masters on the double bass. Always on point. Alice Coltrane is top notch on this one as well. I especially love her celestial harp playing. I’m on the hunt for some of her output as a leader on Impulse.

So which is my favorite element out of the four? Hard to choose, but the epic and transcendent “Earth” is special.

A splendid album indeed.

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“Spaces” by Doug Hammond on Idibib DB 105

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“Spaces” by Doug Hammond on Idibib DB 105

Lovely stuff on a small independent label.

Beautiful album by drummer Doug Hammond on Idibib, the independent label he founded. We have a mix of spiritual, post-bop and avant-garde here. This is one of those albums that perhaps flies under the radar, but it’s a lovely effort. As an old drummer myself I love to see drummer led sessions, and Hammond is superb on the skins for sure.

The group delivering the goods besides the leader are Steve Coleman on alto sax, Byard Lancaster on alto sax and flute, Muneer Abdul Fataah on cello and Kirk Lightsey on piano. Very cool that we have the cello present instead of bass. Love that instrument in jazz. Fataah, what a player. Awesome as well that Byard Lancaster is present, even if it’s on one tune only. Steve Coleman tears it up on this one. Very lyrical player, possesses a lovely tone on his alto, technically gifted, and has so many great ideas. Need to look into his other work I reckon.

A lot of wonderful tunes on this album, and as I’m listening and writing this I think the Dolphy-esque “Cüd Bar-Rith”, ”Rizz Biz” and ”Water Moves”, which is hte second part of the suite Spaces and Things, are my favorites right now.

Check this one out If you haven’t already. Highly recommended.

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”Long Before Our Mothers Cried” by Sonny Fortune on Strata-East SES 7423

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”Long Before Our Mothers Cried” by Sonny Fortune on Strata-East SES 7423

Another lovely Strata-East title.

Acquired this one today actually from a local shop. It was Sonny Fortune’s first session as the sole leader. Recorded for Strata-East in 1974 and released the same year. It features a diverse bunch of tunes all penned by Fortune. We have percussion heavy latin stuff, a beautiful ballad, a spiritual excursion, bluesy funkiness and some post-bop. One thing that is very apparent is that Fortune is on fire. What a player. He plays alto, soprano and flute on this session. The band otherwise consists of Charles Sullivan on trumpet, Stanley Cowell on electric piano/acoustic piano, Wayne Dockery on double bass, Chip Lyle on drums and Angel Allende, Mario Muñoz, Richie Pablo Landrum all on assorted percussion.

Favourite pick has to be the spiritual ”Sound of Silents”, which features brilliant solos from both Fortune and Sullivan.

I’m soon into double figures when it comes to Strata-East titles in the collection, with 9 so far. A superb label which I’ll continue to explore. So much great stuff with plenty of variety. Hopefully I’ll be able to add some more titles going forward.

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”Poppy” by Masaru Imada on Three Blind Mice TBM 14

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”Poppy” by Masaru Imada on Three Blind Mice TBM 14

TBM is a delightful label.

Continuing to explore the Three Blind Mice label, which is a real treasure trove of great stuff. This one is by Japanese pianist Masaru Imada and was his second on the label. The first side features standards with Imada playing solo piano and on the second side we have a trio playing originals penned by Imada, with Isao Fukui joining in on bass and Masahiko Ozu on drums.

The solo side is beautiful and contains a great rendition of Mal Waldron’s “Left Alone”. I dig the trio performance on the second side the most though, with the group sounding superb together. Lovely compositions by Imada. My favorite is the seven minutes and change up-tempo ”Ascent”.

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"Mapenzi" by The Harold Land / Blue Mitchell Quintet on Concord Jazz CJ-44

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"Mapenzi" by The Harold Land / Blue Mitchell Quintet on Concord Jazz CJ-44

A great pairing of Land & Mitchell.

Here’s a terrific session from 1977 by the Harold Land/Blue Mitchell Quintet on Concord Jazz. Been exploring Land’s 70’s output a bit and found some real gems. This is one of them. The combination of Land and Mitchell is lovely as they complement each other beautifully. They are joined by Reggie Johnson on bass, Kirk Lightsey on piano and Al ”Tootie” Heath on drums.

We have some wonderfully crafted post-bop here which borrows from the past while staying firmly in the present, in this case the 70’s. It’s a great recording, detailed and balanced. The bass presence and sound is a highlight.

Land And Mitchell’s contribution is stellar. Engaging and lyrical. Really dig Tootie’s playing on this one as well. Recommended!

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The collection

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The collection

The collection as it stands. 400 LP’s, 70 EP’s. 15+ years of collecting. Tells you perhaps of how difficult it can be to collect originals. We’ll see how many I end up with in the end.

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”Blackstone Legacy” by Woody Shaw on Contemporary S7627/8

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”Blackstone Legacy” by Woody Shaw on Contemporary S7627/8

A fantastic slice of 70’s jazz.

I didn’t think I would find this one anytime soon. Been looking for a long time. At first I assumed the 1st pressing was the yellow label version. That was not correct of course as this green label version is the 1st issue. So it became even harder to find an original copy, as most versions I’ve seen have sported the yellow labels. The green label version seems very scarce, or is it just me? Anyway, I somehow managed to acquire this one before anyone else at a recent drop. It’s usually gone in no time when it surfaces. No wonder, it’s one of the best jazz titles of the 70’s.

Woody’s debut as a leader, recorded in 1970 and released in 1971. It features a fantastic line-up consisting of Shaw on trumpet, Gary Bartz on alto/soprano, Bennie Maupin on tenor/bass clarinet/flute, George Cables on piano/electric piano, Ron Carter on double bass, Clint Houston on electric bass and Lenny White on drums.

The music is some highly explorative post-bop which is presented through some very long format tunes. Love that. Four of them are penned by Shaw and two by Cables. Very intricate and complex songwriting which warrants repeated listening for sure. Love the whole concept of the album.

This was my top want, no competition. Needless to say I’m very happy to have been able to file this great copy. Both discs are in great shape and sounds awesome, and while the cover has some wear here and there it’s in respectable condition. I’m just relieved to finally sit here and listen to it now, I never thought I would find it. Time to ease into the summer…

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”Two is One” by Charlie Rouse on Strata-East SES-19746

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”Two is One” by Charlie Rouse on Strata-East SES-19746

Rouse like I’ve never heard him before.

On this album we find Charlie Rouse in a different setting music-wise than I’ve heard him in before. This is a wonderful mix of funk and post-bop with some excellent playing by the leader. I’ve been exposed to the incorporation of funk when exploring 70’s jazz and I’ve really been enjoying it. Love that mix, when the funkier elements are blended with the post-bop/modal stuff during the same tune and between separate tunes focusing on one style or the other.

On this date we have an interesting group, with Rouse on tenor and bass clarinet, George Davis and Paul Metzke on guitar, Calo Scott on cello, Stanley Clark and Martin Rivera on bass, David Lee on drums, Airto Moreira on percussion and Azzedin Weston on conga. There’s a lovely chemistry between the players.

Favorite picks are the Joe Chambers penned ”Hopscotch” and the brilliant, dark and moody ”In His Presence Searching”, written by David Lee. 

Strata-East truly was a great label, with all of it’s different musical flavours to emerge yourself in. This Rouse album is one of the best I’ve heard so far, so I’m happy to file this quite elusive title.

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”Filles de Kilimanjaro” by Miles Davis on Columbia CS 9750

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”Filles de Kilimanjaro” by Miles Davis on Columbia CS 9750

A 1st US pressing. The labels and back slick have the Columbia logo covered by CBS stickers intended for the European market. I won’t attempt to remove them. There are a couple of albums by The Second Great Quintet that I’m still after. This was one of them until last week when I managed to secure it.

This title represented a transition between Miles’ acoustic work and his electric period. I honestly haven’t explored the totality of his later work but will take a deep dive sooner or later. Overall, for me at this point, the mostly acoustic work of The Second Great Quintet is the sweet spot in his catalogue.

The quintet remains intact during all tunes except two, when Chick Corea and Dave Holland replaces Hancock and Carter respectively. My favorite tune on the album is ”Petits Machins (Little Stuff)”.

Classic stuff which will see plenty of play in the years to come I’m sure.

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”Re-Entry” by Charles Sullivan on Whynot PA-7152

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”Re-Entry” by Charles Sullivan on Whynot PA-7152

Sullivan handles the trumpet masterfully.

Wonderful Japan-only album from 1976 by trumpeter Charles Sullivan. This guy is amazing, what a master. I love the trumpet in jazz, always have, so to discover a new cat this good is a real treat. I have had him on my radar for a while, courtesy of Strata-East and his album ”Genesis”, which I’m looking for as well. I stumbled upon this title a few weeks ago, listened to it and was completely hooked. Sullivan’s playing is superb and the rest of the band is a great bunch as well. They are; Rene McLean on alto and tenor, Kenny Barron on piano, Buster Williams on double bass and Billy Hart on drums. 

Recorded in New York 1976, this LP sounds fantastic. Great engineering. There are a lot of brilliant Japanese-only releases from both foreign and domestic musicians, which I’m discovering now. Very exciting. I mean, ”Re-Entry” if released on Blue Note in the 60’s, would be an expensive and hot item I’m sure. The music is a lovely mix of hard-bop and post-bop played with soul and conviction. We are treated to five tunes, four of which are originals penned by Sullivan.

It’s hard to believe that this outstanding musician didn’t record more than four albums as a leader; two in the 70’s, one in the 90’s and one in the 00’s. Criminally underrated perhaps, but don’t sleep on this cat. Do yourself a favour and check this session out.

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”Damisi” by Harold Land on Mainstream MRL 367

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”Damisi” by Harold Land on Mainstream MRL 367

One of my favorites by Land.

What immediately striked me when I put this on was three things, the music is unbelievable good, this album was recorded very loud and it was recorded superbly. The sound just blasts out of the speakers and the detail and balance is off the charts. Fantastic low-end. Hadn’t heard an original Mainstream album before. Very impressive.

I’ve been enjoying some of Harold Land’s dates as a leader lately and just filed this title from 1972 and ”The Peace-Maker” from the late 60’s. Both are outstanding. This one is probably one of my favorites of the year so far.

The band consists of Land on tenor and oboe (wonderful playing and sound from Land on the oboe), Oscar Brashear on trumpet and flugelhorn, Bill Henderson on Fender Rhodes and acoustic piano, Buster Williams on Fender and double bass and Ndugu (Leon Chancler) on drums. The whole group is on point. I really dig Brashear and as a trumpet lover I need to check out his catalogue in depth. Buster Williams was a fantastic bassist and I have managed ro get some of his work into the collection. Will explore further. Ndugu’s drum work is something to behold as well. Another cat to check out.

The music touches the modal, spritual, funk and post bop. What more could you ask for? If you haven’t heard this, go explore. Highly recommended.

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”The Peace-Maker” by The Harold Land Quintet on Cadet LPS 813

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”The Peace-Maker” by The Harold Land Quintet on Cadet LPS 813

Harold Land = quality

Here’s a splendid Harold Land title on the Cadet label, which is a label I haven’t explored much. It features Land on tenor, Bobby Hutcherson on vibes, Joe Sample on piano, Buster Williams on double bass and Donald Bailey on drums. 

Fantastic songwriting by Land on this one which features the leaders original compositions except for one tune. He was a great player and every time I hear him he delivers quality. 

This is perhaps one of those titles that flies a bit under the radar. But it’s a truly lovely session that you should check out if you’re unfamiliar with it.

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"For My Little Bird" by The Shigeharu Mukai Quintet on Columbia YX-7010-N

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"For My Little Bird" by The Shigeharu Mukai Quintet on Columbia YX-7010-N

A great all-Japanese affair.

Don’t sleep on Japanese jazz. Been exploring it a bit and found some really good titles. This one by trombonist Shigeharu Mukai is a great example of how good Japanese jazz can be. 

A Japanese only release recorded at Nippon Columbia 1st Studio in November of 1974. We are treated to some lovely post bop/spiritual/fusion stuff here by an all Japanese octet (not sure why it says quintet) which features Hidefumi Toki on alto. 

Have found three Japanese originals now that I love and will continue to explore the Japanese jazz scene of the 70’s and see what else I can find.

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”Brilliant Circles” by Stanley Cowell on Polydor 2383-092

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”Brilliant Circles” by Stanley Cowell on Polydor 2383-092

Cowell leads a brilliant bunch.

This is a somewhat avant-garde leaning effort by pianist and co-founder of Strata-East Records Stanley Cowell, backed by a terrific band, featuring Woody Shaw on trumpet, Tyrone Washington on tenor, flute, clarinet, tambourine and maracas, Bobby Hutcherson on vibes, Reggie Workman on Fender and double bass and Joe Chambers on drums. Quite the line-up.

The music is imaginative and explorative at it’s core, with superb individual statements throughout as well as a lovely sense of interplay and understanding between the musicians. There are four lenghty tunes (which I love), one penned by Cowell, one by Washington, one by Shaw and one by Hutcherson. My favorite is perhaps Shaw’s post-bop treat ”Boo Ann’s Grand”, also present on his debut as a leader ”Black Stone Legacy”.

I obtained this original UK Polydor pressing for a very reasonable price, and considering what you get music-wise, it definitely is one of my more successful buys.

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”Extensions” by McCoy Tyner on Blue Note BN-LA006-F

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”Extensions” by McCoy Tyner on Blue Note BN-LA006-F

Another fantastic title by Tyner.

Like I mentioned a couple of posts back, McCoy Tyner was very active in the 70’s for the Milestone label. Before that though he released several titles as a leader on Blue Note. This title is one of them. Recorded in 1970 and released in 1973. It was recorded by Rudy Van Gelder and produced by Duke Pearson.

This is one of the best Tyner albums I’ve heard. It features an unbelievable line-up. Tyner is joined by Alice Coltrane on harp, Wayne Shorter on tenor/soprano, Gary Bartz on alto, Ron Carter on double bass and Elvin Jones drums. The music, consisting of four Tyner originals, is an amazing mix of modal/post bop/spiritual. Beautifully crafted, intricate and engaging stuff. And with this kind of line-up, one couldn’t expect less.

I will continue my explorations into Tyner’s work as a leader in the 70’s with great excitement.

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”Antiquity” by Jackie McLean & Michael Carvin on Steeplechase SCS-1028

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”Antiquity” by Jackie McLean & Michael Carvin on Steeplechase SCS-1028

Jackie/Carvin duo goodness.

My love for jazz duos has manifested itself this past several months. It’s a fascinating format to me. Whether it’s drum/sax, drum/violin, double bass/piano or something else, the premise is a stripped down, organic and raw way of experiencing jazz.

For this particular title, recorded in 1974, we have Jackie Mac trading chops with drummer Michael Carvin and the result is a very enjoyable album which explores percussive rhythms, symbiotic alto/drums statements, ethnic leaning flute/alto passages and African influenced voice concepts. I find it pretty amazing that these two cats created this multifaceted music just the two of them, with the help of an alto sax, drums, temple blocks, bells, bamboo flute, voices, kalimba, piano and percussion.

The pièce de résistance is the title track which stretches on for 17 minutes and incorporates plenty of amazing passages featuring several, if not all of the instruments mentioned above. I also really enjoy the alto/drums portion of the last tune.

This is for me one of Jackie’s most interesting albums and can be enjoyed with an open mind towards ethnic music. You will be presented with more jazz coloured stuff to savour as well, but it feels like the majority of the music expands well beyond the jazz spectrum.

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”Sahara” by McCoy Tyner on Milestone MSP 9039

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”Sahara” by McCoy Tyner on Milestone MSP 9039

Tyner’s first for Milestone is a great one.

McCoy Tyner was very productive in the 70’s for the Milestone label and released some real gems during that decade. This one was his first for the label and it’s a lovely session. The music has post bop moments and also has oriental, far east and spiritual flavors added to great effect. “Valley of Life” for example is completely in that vein, with Tyner playing the ”koto”, a Japanese stringed instrument.

On the opening track on the first side Sonny Fortune tears it up on the soprano. A brilliant player who I need to explore more. He also plays alto on the rapid ”Rebirth” with a fiery passion. Really dig the drummer on this session as well. Alphonze Mouzon is his name and I’m not sure if he is present on other titles in the collection. I doubt it. Will look into his work as well cause he is killing it. Bassist Calvin Hill is another one I haven’t heard of before. Top player. Another deep dive pending. Tyner is of course absolutely stunning as always. The technical prowess of this cat is something to behold. His fast runs played with his patented feather light touch are mesmerizing. His powerful chords are also present and add so much weight. His compositional skills are top notch as well, evident on this album for sure. All tunes are penned by him. I have far too few of his albums in the collection, but I’m aiming to remedy that.

One has to mention the second side as well which features the over 23 minutes long title track, which takes up the entire side. Oriental touches comes from Fortune’s soprano and the level of his playing is stunning. The overall tempo and intensity is really pulling me into the music and leaves the outside world in the dust. A fantastic escape.

This album is a welcome addition to the shelves and I’m hoping to be able to add another one of the leader’s 70’s titles soon as well.

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