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”Winds of Change” by Jothan Callins & The Sounds of Togetherness on Triumph 006

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”Winds of Change” by Jothan Callins & The Sounds of Togetherness on Triumph 006

Amazing album. A clear favorite in the collection.

Deeply spiritual stuff here, recorded in 1975, by Alabama born trumpeter, bassist, composer and arranger Jothan Callins. He only cut this album as a leader, which is a damn shame cause this is absolutely stellar music. Top notch trumpet playing by the leader. Very impressive. So full of soul and spirit. Callins performed with Sun Ra, Lionel Hampton and Stevie Wonder etc. He formed The Sounds of Togetherness in 1968. He was a school and university teacher, director, consultant (building cultural programs) and performed and lectured across North America and the West Indies.

A lovely recording. The sound is so naturally crisp, clear and very well balanced. One of my best sounding records, which is quite amazing considering it’s a private press. The drums and percussion are recorded beautifully. As an old drummer myself I’m very intuitive to that. The percussion elements are very nice throughout, and are also superbly recorded.

All the tunes are composed and arranged by Callins. All are outstanding and it’s impossible to choose a favorite.

The band consists of Callins on trumpet/bells, Joe Bonner on piano/tambourine, Cecil McBee on bass, Roland Duval on conga/various percussion and Norman Conners on drums. Fantastic group. Such a pity they didn’t record more together.

Thrilled to place this one on the shelf. Probably my favorite addition so far this year and one of my favorite records in the entire collection.

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”The Legend of Ai Glatson” by Leroy Jenkins with Andrew Cyrille and Anthony Davis on Black Saint BSR 0022

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”The Legend of Ai Glatson” by Leroy Jenkins with Andrew Cyrille and Anthony Davis on Black Saint BSR 0022

Avant-garde violin goodness.

I’ve come to love the violin in avant-garde/free jazz. Probably mentioned this before. I’ve loved the instrument and it’s presence in the world of classical music for a long time. Paganini is a favorite composer for example. When it comes to my appreciation for the instrument in jazz it all started when I got into the Rashied Ali duo joint on Survival together with the leader of this album. Brilliant stuff.

This album, recorded in 1978 in Milano, is free and Leroy Jenkins’ playing is mesmerizing. He is backed by the fantastic duo of Andrew Cyrille on drums and Anthony Davis on piano. I love this stuff. Granted, it’s maybe not for everybody, but the brilliant musicianship of this trio and the interesting compositions could perhaps peek the interest of the avant-garde skeptics?

I think it’s a wonderful recording. Black Saint seems to be a safe bet when it comes to recording quality. Have a few titles now and will continue to explore the label.

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”Six Duets (1982)” by Anthony Braxton featuring John Lindberg

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”Six Duets (1982)” by Anthony Braxton featuring John Lindberg

Duo bliss.

Wonderful duo album with Braxton playing alto sax, E-flat sopranino sax and clarinet. He is joined by double bassist John Lindberg. This session was recorded in Florence, Italy in 1982. 

The music is natural, organic and highlights the featured instruments in a very detailed and focused way. Quite meditative and calming in places. The musicianship is outstanding, and both musicians performs on an equal level, both in terms of exposure and skill. A superb interplay is present between the two throughout.

I’ve come to love the duo format and this album is just another example of the format’s great potential.

I would imagine that this title isn’t on the radar of many collectors, but it’s a fantastic display of jazz mastery from two virtuosos that you don’t wanna miss. It’s a quite affordable album as well, so I would put this in the cheap heat category.

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”New Directions in Modern Music” by The Rashied Ali Quartet on Survival SR 104

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”New Directions in Modern Music” by The Rashied Ali Quartet on Survival SR 104

The Rashied Ali titles on Survival are some of my favorite avant stuff.

My second Rashied Ali title on Survival. This is one is live and the energy of this quartet is superb. The sole tune on side 1 is a burner and the whole band is on fire. The alto performance of Carlos Ward on that tune is amazing. I’m a big fan of Ali’s playing. His drumming is quite delicate sounding even when in full swinging motion. The rest of the rhythm section is killing it as well, with Fred Simmons on piano (stepping in for the quartet’s regular pianist Don Pullen who couldn’t attend) and Stafford James on double bass. The portion on the first tune with the piano solo and the superb bass behind it is something to behold. Brilliant. Contains a top notch drum solo as well by Ali.

Side 2 features a single lengthy tune as well and features Ward on flute, and he masters that instrument to a tee as well. Overall, I would describe the music on this album as accessible avant-garde. It’s just a total privilege to sit here and listen to this stuff. One of my favorite finds of the year.

Will try and find the rest of the Ali stuff on Survival as well, but they are hard to come by for sure and not easy to find at a reasonable price. Very happy to have been able to find two of them so far.

The cover (was still in shrink) is one of my favorites in jazz. Love everything about it. The razor thin vinyl is in lovely shape and the spindle hole was like new and I had to give the record a little push down as it was so tight. Beautiful condition all around.

For all lovers of the avant-garde this is essential, and to those who are just getting into it, I would suggest you give this one a listen. I think it’s a great introduction to this genre as it’s not too crazy. Just great jazz.

Happy Easter! 🐣

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”The Skipper” by Henry Franklin on Black Jazz BJQD/7

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”The Skipper” by Henry Franklin on Black Jazz BJQD/7

The 70’s sure was a great decade when it comes to jazz.

My second Black Jazz title after Rudolph Johnson’s brilliant ”The Second Coming”. This one from 1972 is the first led session by bassist Henry Franklin and it’s a superb effort. It combines elements of post-bop, funk/fusion and blues in a seamless way.

The band consists of Franklin on double bass/Fender bass, Bill Henderson on electric piano, Mike Carvin on drums, Oscar Brasheer on trumpet/flugelhorn, Charles Owens on tenor/soprano sax, Kenny Climax on guitar/electric tub, Fredrik Lido and Tip Jones on percussion.

Favorite picks are the speedy post-bop opener ”Outbreak” and the beautiful ballad ”Little Miss Laurie”.

I definitely need more Black Jazz titles. Such a great label, and even though they are nowhere near what they were price-wise, they still can be found at relatively reasonable prices compared to other labels.

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”Mutima” by Cecil McBee on Strata-East SES-7417

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”Mutima” by Cecil McBee on Strata-East SES-7417

Another beautiful title on this wonderful label.

Another brilliant Strata-East title has landed on my shelves. This time we have the debut by master double bassist Cecil McBee as a leader, fronting a large ensemble. 

It starts off with a 11 minute double bass bowing extravaganza, on which McBee is playing two basses. Beautiful tune. You know you’re in for a treat after that one. As for the rest of the tunes, we get beautiful spiritual passages and avant-garde statements, post-bop goodness and some funky excursions. Completely outstanding music, all penned by McBee. 

I’m also seeking high and low for his India Navigation-led session called ”Alternate Spaces”. Got his outing ”Turning Point” on that label secured some months ago.

The search for more stuff on one of the best jazz labels of all time continues…

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”Pinnacle” by Buster Williams on Muse MR 5080

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”Pinnacle” by Buster Williams on Muse MR 5080

Great stuff from bassist Buster Williams.

The opening tune is funky as hell. Dig it a lot. I have definitely developed my jazz listening from years gone by, cause the funky side of jazz is nothing I’ve been interested in sampling before. But that first tune is dripping with a sweaty and funky beat that is hard to resist nodding your head to. Has some cosmic, deep space vibes going on as well. Other tunes are more spiritual other more post-bop. A couple features the great Woody Shaw on trumpet.

Buster Williams is a lovely player and he really shows that here, both on double bass and electric bass. He has played with a great number of artists, among them Herbie Hancock, Dexter Gordon, Kenny Barron, Nancy Wilson, Bobby Hutcherson and the list goes on. Easy to understand why he was so in demand.

Favorite tune is the 14 min long ”Batuki” with it’s spiritual vibes. Shaws’s presence is wonderful and Williams’ contribution on this tune is outstanding.

The Muse label has many gems and I’ll continue my explorations into it’s catalogue.

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”Spanish Bitch” by Mal Waldron on Globe SMJX-10113

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”Spanish Bitch” by Mal Waldron on Globe SMJX-10113

My favorite pianist in jazz.

Brooding and darkly elegant music as usual by Mal Waldron on this rare 1970 Japan only release. Been after this for quite a while. It’s a title which sits high on my list of favorite Waldron albums. Very happy to have been able to grab it from the land of origin courtesy of a newly established channel.

The trio performing the lovely music is Waldron on piano, Isla Eckinger on double bass and Fred Braceful on drums. Favorite tune has to be ”Black Chant”. The rest are also top. Dig the concept of doing a Beatles cover in a jazz setting as well, namely ”Eleanor Rigby”. A wonderful rendition.

The sound is excellent on this one, a great recording. It says ECM on the cover but it was never released by them. Maybe it was intended to be released, don’t know. Anyway, released by the Japanese label Globe, a subsidiary to Victor.

Regarding the cover, I dig how they did the trashed spine stuff with the colours. First when I saw the images I thought: is the spine messed up? All part of the design which is quite cool.

If you love Waldron, for me, this is a must have.

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”Power to the People” by Joe Henderson on Milestone MSP 9024

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”Power to the People” by Joe Henderson on Milestone MSP 9024

Henderson on Milestone is quality.

Post-bop masterpiece by Joe Henderson, featuring some electric instruments on some of the tunes, which is the first taste of electric accompaniment on a Henderson album. 

The band is brilliant, with the leader on tenor, Mike Lawrence on trumpet, Herbie Hancock on piano/electric piano, Ron Carter on double bass/electric bass and Jack DeJohnette on drums.

This is jazz of the highest order, always engaging and the musicianship is outstanding. Besides the leader I’m especially impressed by Mike Lawrence. Can’t believe I’ve missed out on this great player. Will look into his work for sure. The other cats deliver what you would expect from such a top rhythm section, pure fire. Love the electric instruments. That was not always the case though. I shied away from that for a long time. But since exploring the 70’s and beyond more in depth, I’ve come to love it, and it has also widened my horizons when it comes to more funky elements as well.

This essential title was part of a package with 5 lovely albums which I will post in the coming days and weeks. Will throw in one or two other new arrivals as well. Stay tuned…

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”Puttin’ It Together” by The New Elvin Jones Trio on Blue Note BST 84282

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”Puttin’ It Together” by The New Elvin Jones Trio on Blue Note BST 84282

Elvin, Jimmy and Joe in top form.

Lo and behold, I’m posting an original Blue Note again. It’s been a while. This is a lovely title featuring a favorite format of mine, the pianoless sax trio (some flute is also present). Elvin, Jimmy Garrison and Joe Farrell performs a raw and organic set of tunes which appeals to me with it’s stripped down feel and natural sound. This album was Elvin’s first on Blue Note as a leader. Recorded and released in 1968 which makes it my latest Blue Note thus far in terms of the release date. Never owned a Liberty Blue Note before. Hopefully there will be some more landing on my shelves in the years to come. Will keep my eyes peeled for the second album by this great trio as well, also on Blue Note.

Elvin is a favorite drummer of mine and you immediately hear it’s him. The earthy and natural sound of his kit is truly a signature sound. Garrison is a cat I’ve loved for a long time. His solos are always great, his choice of notes are always special, and the sound he extracts from his double bass is big, warm and round. In this setting the bass gets quite pronounced, which is always a plus. Joe Farrell is brilliant on tenor, soprano, flute and piccolo. On the tenor he’s Coltrane-esque to me, but his own man nonetheless. Will have to explore his catalogue in depth. 

Highly recommended.

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”Capra Black” by Billy Harper on Strata-East SES-19739

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”Capra Black” by Billy Harper on Strata-East SES-19739

Rock solid stuff from Harper.

I’m building my collection of Strata-East titles brick by brick. Already got a handful now. This one is a gem. My first Billy Harper joint was on Black Saint and that’s an amazing album, and so is this one. Spiritual and deep to the core. It’s so well composed, the arrangements are lovely and the solos are absolute fire. I even like the voices added on side Black. Side Capra’s opener, which is the title track, is probably my favorite on the album. An 11 minute excursion in top level post-bop, way up there on my list of favorite tunes recorded in the 70’s.

The band backing Harper is top notch and consists of Jimmy Owens on trumpet, George Cables on piano, Reggie Workman on double bass, Julian Priester and Dick Griffin on trombone, Billy Cobham, Warren Smith, Elvin Jones on drums and a handful of voice talents.

Found this original, with the 463 West Street address on the back slick, at a local shop for a reasonable price. Have been on the lookout for this for quite a while so happy to have found it locally.

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”The Moontrane” by Woody Shaw on Muse MR 5058

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”The Moontrane” by Woody Shaw on Muse MR 5058

Essential Shaw.

Continuing my quest for more Woody Shaw albums. This one was among the top ones I was looking for. Not easy to find. Recorded in 1974 in New York. Out of the Shaw albums I’ve listened to up to this point, this is one of the best for me. This title treats the listener to a great dose of 70’s jazz, both in terms of the musical direction as well as the sound. Great playing by everyone and Shaw shines with his electric, masterful style. I also particularly love the percussive elements provided on several of the tunes.

We have the leader playing together with Azar Lawrence on tenor and soprano sax, Steve Turre on trombone, Onaje Allen Gumbs on piano and electric piano, Buster Williams on double bass (two tunes only), Cecil McBee on double bass (the rest of the tunes), Victor Lewis on drums, Tony Waters on congas and Guilherme Franco on percussion.

I love the cover art with it’s textured front displaying a black and white photograph of Shaw holding his trumpet and the lovely choice of typography.

Essential stuff.

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”Toki” by The Hidefumi Toki Quartet on Three Blind Mice TBM 46

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”Toki” by The Hidefumi Toki Quartet on Three Blind Mice TBM 46

Top Japanese jazz on a great Japanese label.

This title was also in the lost package and it’s a rare one with the obi and folder, recorded in 1975 for the Japanese Three Blind Mice label. It features leader Hidefumi Toki on alto and soprano sax together with Kazumi Watanabe on guitar, Nobuyoshi Ino on double bass and Steve Jackson on drums.

The music is lovely and features some excellent playing throughout. Toki is exploring, searching and fermenting his playing with deep feeling and brilliant technique.

Three Blind Mice was renowned for their quality recordings and this one is no exception. The detail of the drums, the balance between the instruments, the cohesiveness, the sound and impact of the bass. Top stuff. The condition is stellar for both the vinyl and jacket.

Started to look into some Japanese cats last year and there are some wonderful players out there and plenty of titles to enjoy. Will continue to explore the Three Blind Mice label in particular in depth as well.

Highly recommended.

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”Little Red’s Fantasy” by Woody Shaw on Muse MR 5103

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”Little Red’s Fantasy” by Woody Shaw on Muse MR 5103

Listening to Woody is always a treat.

Been trying to find stuff featuring Woody Shaw for a good while now and it’s not been entirely easy. I’ve managed to acquire a few titles and got another one on the way as well. He of course was a master trumpeter and sits high on my favorite trumpeters list for sure. This title is another one from that lost package, so I’m very happy to be able to spin it now.

The music is some lovely post-bop and the intricate spice of Shaws’ playing is elevating the proceedings to great heights. The band backing him is a good one, with Frank Strozier on alto sax, Ronny Mathews on piano, Stafford James on double bass and Eddie Moore on drums. I really like Strozier, and he and Shaw is a really nice pairing.

Highly recommended.

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Göteborgs Musikkvartett on Svenska Jazzriksförbundet SJR LPS-3

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Göteborgs Musikkvartett on Svenska Jazzriksförbundet SJR LPS-3

Jazz with folk inspired flavors.

Another one by Göteborgs Musikkvartett. Lovely stuff which interprets the folk music traditions of Italy, Norway, Hungary, Afghanistan and the Balkans, in a jazz setting.

The tunes are shorter than on the other title I posted some time ago by this group, but it works great here, with all the flavors and influences from different countries being sampled.

Very happy to have been introduced to this band by a fellow Swedish collector from Gothenburg.

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”The Free Slave” by Roy Brooks on Muse MR 5003

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”The Free Slave” by Roy Brooks on Muse MR 5003

Top stuff by Brooks.

Miracles do happen apparently. Like I’ve mentioned in a previous post, I had a package lost containing four records. It was posted in the beginning of October of last year, and traveled through the USPS network until it stopped and didn’t move. And it’s here that I want to give a big shoutout to my guy Spencer who started to look into what had happened by making numerous calls to USPS, spending hours trying to get clarity, putting in a missing mail request and so on. He kept me informed all the way and did his very best to figure out what the problem was. He had done everything right, all the info on the package was correctly filled in. So, the package was lost, and then out of nowhere five months after it was posted it started to move, and it finally arrived in Stockholm today and I could collect it. Sitting here listening to one of the albums and I can’t believe it really. Couldn’t thank you enough Spencer for all that you did. Thank you so much!

And so to the album on display. It’s a title I’ve been after for a long time so I’m extremely happy to finally have it spinning on the turntable. It’s a live recording from the Left Bank Jazz Society, Baltimore, Maryland in 1970. The music has funky elements as well as post-bop and spiritual leanings. Top playing by a stellar group which consists of Brooks on drums, Woody Shaw on trumpet, George Coleman on tenor sax and Cecil McBee on double bass.

The recording is fantastic and offers a very natural soundstage adherent to the club it was recorded in. This original copy is in outstanding condition and plays like new. Couldn’t be happier. Like I said, it’s a miracle to be able to sit here and finally listen to this album.

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”Live Ankara” by Don Cherry on Sonet SNTF 669

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”Live Ankara” by Don Cherry on Sonet SNTF 669

A very enjoyable Cherry live album.

Cherry live at the U.S. Embassy in Ankara, Turkey in 1969. The album was released in 1978. Cherry plays with three Turkish musicians here. We have Irfan Sümer on percussion/tenor sax, Selçuk Sun on double bass and Okay Temiz on drums/percussion.

The music is quite free and mixes in Turkish influences. Much of the album consists of Cherry originals and Turkish folk material arranged by Turkish jazz trumpeter Maffy Falay. We also have two Ornette tunes and a Pharoah Sanders number.

I dig the Turkish vibes on this and that Cherrys’ trumpet is prominently featured. He also plays the Zurna, which is a double reed wind instrument, flute, piano and adds some vocals. This is one of my favorite Cherry albums to date. His playing is outstanding.

The front cover tapestry is of course by Moki Cherry. Love her work.

I will continue to explore the work of Cherry as a leader. I feel it’s important as well as he was so connected to Sweden.

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”Songs for my Father” by Graham Collier on Fontana 6309 006

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”Songs for my Father” by Graham Collier on Fontana 6309 006

A great Collier title.

Post bop goodness from English double bassist and band leader Graham Collier, recorded in 1970. Been dipping my toes into his work and I must say, I’ve found some real gems. This is one of them, released in 1970 and featuring a large ensemble, altough not everyone plays on every tune. 

The music is very engaging and it ranges from moody post bop to atmospheric ensemble playing to a short but effective avant-garde explosion.

The sound of this pressing is quite round and warm, and one can enjoy a well balanced sound throughout. 

Highly recommended.

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”Dona Lee” by Anthony Braxton on America AM 6122

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”Dona Lee” by Anthony Braxton on America AM 6122

Braxton doesn’t disappoint.

Braxton recording from 1972, recorded at Studio Decca in Paris. It’s called ”Dona Lee” with just one ”n”, which is odd. Of course, the title track is a jazz standard. It was either written by Charlie Parker, Miles Davis or Norman "Tiny" Khan, not entirely clear. Braxton plays the avant-garde version and it’s great. The rest of the album features tunes in the avant vein with a healthy dose of more straightforward playing. Braxton shows what a wonderful player he is on these tunes. I’m looking forward to continuing exploring his catalogue. 

Braxton is backed by three cats that are new to me, from what I can remember anyway. They are; Michael Smith on piano, Peter Warren on double bass and Oliver Johnson on drums.

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”Jazzmessage from Poland” by the Tomasz Stanko Quintet on JG Records (JG 030)

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”Jazzmessage from Poland” by the Tomasz Stanko Quintet on JG Records (JG 030)

Stanko live.

The second Stanko title in my collection was recorded live in Germany in 1972. Much of the music explores spiritual themes and features avant-garde excursions as well. The second side for example feels quite cinematic and atmospheric up to a point where it becomes avant-garde in nature. Really enjoy this contrast as it’s all one tune as well.

The violin, which has become a real favorite in jazz for me, is featured and it brings a special flavor to the proceedings. I’ve loved this instrument in the classical realm for a long time. Paganini for example is a favorite composer of mine.

Happy to have found this title for a good price. The cover has some lamination issues but is otherwise very clean. The vinyl plays lovely. The recording quality is ok but not great.

Will continue to explore Stankos’ discography and see if I can find any other titles going forward.

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